A Quote by Ruth Rendell
People always tell me my books are so dark; I don't think they're particularly dark. I'm not like that. I'm quite a cheerful soul.
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People are often surprised that I am so upbeat. I'm always hearing, 'You're so light and funny, and your books are so dark and twisted.' There's a dichotomy. I like books that are dark and creepy. I don't control it - it's just what I gravitate toward.
Adverbs is a book about love, and I thought that was pretty cheerful, but people who are reading it now are telling me that it's actually quite dark.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
I always tell people that my creativity lies in the belly of the beast and that's exactly what it is. A lot of people think that 'dark' is a bad concept, but I think it's a beautiful thing because that's mostly where your best work comes from. You can say it's dark, but you splash so much colour on it from what's inside you. Everybody always puts negative connotations on the idea of darkness.
You go from having fun doing something to having it become your life without you realizing it. It can be weird and dark, but every single time I have a dark thought that makes me think dark about that, I tell myself, "Stop, you're stupid. This is great."
Doctor Who is pretty dark, I think. Generally its dark; its always been dark.
'Doctor Who' is pretty dark, I think. Generally it's dark; it's always been dark.
'War on Everyone,' I think... the script was hilarious to me, but it's very dark, dark humor. It's super dark.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
I think the value in books like mine, and a great number by other talented writers, is in the ability to bring dark subjects into the open where they are not so dark, where they can be talked about and considered by teens and adults alike.
Right now people think God is dark energy and dark matter, the spirit. Go ahead and think that, but the day we can tell you exactly what it is - that it's gremlins in the vacuum of space or whatever - then what's your recourse at that point?
I think we're all a little afraid of the dark. If you lived in the country, as I did, there's nothing quite like country dark, which was really black. And as a child, your imagination runs wild.
In the dark, my master let down his guard and he was Caleb again. He didn't correct me. He didn't punish me. He didn't push me away emotionally. Caleb was there to hold me until the nightmares passed. He was there to tell me I was beautiful. He was there to tell me I was going to be okay. In the dark, he seduced me. I didn't want the seduction to end.
I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.
I am quite a cheerful, dark person. On the outside, I'm optimistic but I expect the worst to happen.
I'm open to writing just about anything. I love writing the books that I write. They do tend to be on dark subjects, but I don't think of myself necessarily as a dark-humored person. I like having a lot of fun.
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