A Quote by Rutina Wesley

It's really maddening out there for dark-skinned actresses in terms of the opportunities we get. There's just so much talent that is being overlooked. — © Rutina Wesley
It's really maddening out there for dark-skinned actresses in terms of the opportunities we get. There's just so much talent that is being overlooked.
When you're a Black actress, the box that we often get put in is so small. And me being a dark-skinned Black actress, the opportunities become so limited in a way that is just wrong. It's not fair. I'm so capable of playing a wide variety of roles. It comes down to whether or not I'm given the opportunity to do it.
This will play right into Obama's hands. He's humanitarian, compassionate. They'll use this to burnish their, shall we say, 'credibility' with the black community -- in the both light-skinned and dark-skinned black community in this country. It's made-to-order for them. That's why he couldn't wait to get out there, could not wait to get out there.
In my country - even though we have a lot of dark-skinned people - people think the lighter you are, the better you are. They think beauty has to do with being light-skinned. I think that's really wrong.
One thing I am quite passionate about is the absence of dark-skinned women in the media, so I have a passion to show dark-skinned women as beautiful, as vulnerable, as people who can be sexually desired and loving people, because it is never really seen on TV.
When I got out of acting school, I was lucky to have gotten any job at all. A lot of people hiring African American actresses - it was right after 'Roots,' and for society, not me, it was great. Nice richly dark-skinned people was the fashion, and I was not.
We know there aren't enough dark-skinned women that are being represented so that was something I really felt like I needed to talk about.
I have a thick skin, which comes from being a not-really-skinny, dark-skinned Indian woman. I haven't fit in every place, and so I'm kind of used to resistance.
I have a thick skin, which comes from being a not-really-skinny, dark-skinned Indian woman. I haven’t fit in every place, and so I’m kind of used to resistance.
I'm dark-skinned. When I'm around black people, I'm made to feel 'other' because I'm dark-skinned. I've had to wrestle with that, with people going, 'You're too black.' Then I come to America, and they say, 'You're not black enough.'
Kellan Gillis was the first celebrity that I worked with - that didn't hurt. Working out after that with Jennifer Lopez was huge in terms of just the platform it gives you. So I think when you get those opportunities, you have to be respectful of them, and you have to try not to just cash out.
I've seen beautiful actresses get spat at or just someone trying to get a rise out of them so they can get an extra hundred bucks for a photo. It's really rough.
And they didn't have to get into a lot of legal speak or talk ER terms, they were real people. I think that's why so many actresses were attracted to it. And it was just about problems that you could identify with so much, right off the bat.
I come from Israel, where most of the population is dark-haired, dark-skinned, dark-eyed.
I think men can really get in the way when you are trying to sort your life out and get on with it. Because they just take up so much space. I'm not under any illusions that I could have been where I am now in literary terms if I had been heterosexual. I really believe I would not be.
I almost never pitch myself. Me being an independent producer, never having a manager and never being signed, I pretty much just did my own thing: go out and search for the new talent, and when the new talent blows up, it just kinda brings everyone else to me.
It's not like I'm looking for a blonde or a brunette, light-skinned or dark-skinned. I feel like I give any girl a fighting chance.
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