A Quote by Raymond Chandler

Hollywood is wonderful. Anyone who doesn't like it is either crazy or sober. — © Raymond Chandler
Hollywood is wonderful. Anyone who doesn't like it is either crazy or sober.
The misconception about Hollywood is that it's a crazy drug and alcohol fueled place. It can be but there's also a huge sober community.
Ask anyone and they'll most likely say their family is crazy, and if they don't say their family is crazy, their friends are crazy. That's because everyone is crazy after taking the mask off. People are most themselves when not really trying to fit in, when either alone or around those already closest to them, and that is crazy.
Wasn't that a wonderful thing that I had a chance to work with more great actors, big stars, than just about anyone in the history of Hollywood? And some days I didn't know with whom I'd be standing face-to-face, and I was so impressed because they were all really wonderful people. And when you work with Burgess Meredith, Frank Gorshin, George Sanders as Mr. Freeze, it's a wonderful experience.
I'm not here to try and impress anyone or make anyone mad, I'm just going in there and doing what I love, and hopefully people can appreciate what I'm there for, and I'm not trying to be Hollywood star or a Hollywood personality or something.
Hollywood doesn't believe in the death penalty for anyone except people who get cable TV without paying for it. Hollywood is like being nowhere and talking to nobody about nothing.
Hollywood, that whole industry, is a lot like a really small town. You bump into the same people all the time. I think Six Degrees of Kevin Bacon can be played with anyone and everyone in Hollywood.
I can't sight-read classical etudes - I would have to see it and learn it. But yeah, I can read. It is a wonderful tool. It's like speaking another language. Anyone that says reading music can hurt your playing is either stupid, lazy, or ignorant.
There's a rule saying I have to ground anyone who's crazy ... There's a catch. Catch-22. Anyone who wants to get out of combat duty isn't really crazy.
I consider my relationship with acting in Hollywood as sort of a mutual breakup. Through puberty, Hollywood didn't really want me anymore, and I was like, 'Yeah, I don't really want you, either.'
Don't be dependent on anyone else. I want to go everywhere, look at, and listen to everything. You can go crazy with some of the wonderful stuff there is in life.
If I have a problem, stuff's going through my head, I feel like using, I usually go and talk to my dad... I decided to get sober a lot younger than he did. He first tried to get sober when he was like 32, I believe.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
People always say to me, 'It must have been wonderful coming from old Hollywood, with all those movie stars,' but I never knew anyone. I didn't even know who Charlie Chaplin was. My parents really kept me away from it all.
THE DYING GAUL is a Hollywood satire. But Hollywood is not the real subject matter here. My play uses that world of high-rolling big money - that crazy-making business - to examine a whole range of subjects.
I told everybody that I was going to be an actress in Hollywood one day. People looked at me like I was crazy.
In the middle of a crazy and drunk life, you have to hang onto the good and sober moments tightly.
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