A Quote by Rainn Wilson

I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing. — © Rainn Wilson
I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
As far as inner transformation is concerned, there is nothing you can do about it. You cannot transform yourself, and you certainly cannot transform your partner or anybody else. All you can do is create a space for transformation to happen, for grace and love to enter.
For me, as an actor, with any character I'm playing, wardrobe brings a whole other aspect. Once I have the clothing on, it helps the transformation.
I'm very fortunate that I get asked to do very different kinds of roles and I realize how much I enjoy that. I enjoy the challenge of transformation. There are actors who play one character, or a certain kind of character, the whole of their lives. I really relish the opportunity to have the challenge to totally transform.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
Initially, I was worried about playing Hansa, because Hansa is someone who talks a lot but does nothing. But after I started playing the character, it was such a relief.
Like an actor who transforms into the character that they're playing, you can transform into yourself.
As a child I played cricket as a hobby. Once you started playing for your school, you became more ambitious. You reckoned you could play for the state. Then you started to think about the country. But it happened so quickly for me, I started playing for the school at 13, for Bombay at 17, and at 18 I was in the Indian side.
In 10th grade, I started playing defense. Mainly because we already had a great tailback. Once I started playing it, it just started growing on me. I liked it a lot.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I just want to do shows because you get to see, over all the seasons, the person grow, and you get to grow with the character. That transformation, for me, is what I love about my job. I get to learn about myself and challenge myself and grow with the character. For me, it's a whole process of learning and growing.
The old guys like me started in the theatre. I was in the theatre for nine years.
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
After my schooling, I started theatre. By the time I graduated, I was doing theatre 24x7. Luckily, the FTII (Film and Television Institute of India) acting course started.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
I want to bring magic back to where it started, which is not about the props, and it's not about me as a magician: it's about the audience and playing with their minds and playing with their perception of magic and having fun with it.
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