A Quote by Rachel Weisz

I prefer smaller movies because they tend to be more about character than about story. — © Rachel Weisz
I prefer smaller movies because they tend to be more about character than about story.
I tend to prefer the smaller movies because they shoot more efficiently and so you're are able to maintain that momentum of the character a little more easily.
I think that because television is shot on a really fast schedule, and it gets piped into your home on a smaller screen, it's much more about character and dialogue in a lot of cases than the movies are.
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
I never really thought about myself being in really big movies at all. In fact, I always though I'd do, I don't know, smaller movies is not quite the right word, but more character-oriented, dramatic things. I took myself a little bit seriously.
Due to my work, I tend to stay in hotels a lot of the time, and I generally prefer smaller hotels, as you tend to get better service than in the larger hotels.
Usually you tend to glean much more information about your character from what other people say about you, rather than how it's described in the books.
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
I prefer theater, but I love to do films, and I prefer theater primarily because I've done more. I know less about movies. You can't lie in either medium. The wonderful thing is that the camera, just like an audience, is made out of skin - because celluloid is skin.
Well, this is a story about books." About books?" About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind." You talk like the jacket blurb of a Victorian novel, Daniel." That's probably because I work in a bookshop and I've seen too many. But this is a true story.
I do tend to like movies that challenge me professionally. That's mostly on a smaller scale, when you have one or two or five actors, and it's all about the acting and not the camera.
I do tend to like movies that challenge me, professionally. That's mostly on a smaller scale, when you have one or two or five actors, and it's all about the acting and not the camera.
I care more about making sure the story is correct and the characters are behaving in character than I do about the individual jokes.
There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room. It's like watching Paris from an express caboose heading in the opposite direction--every second the city gets smaller and smaller, only you feel it's really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and excitement at about a million miles an hour.
'Betsy' is one of my favorites because it is the one to which I've imposed the least clear narrative. To me, it's so much more about the feeling - desperation - than any kind of story at all. There's very little imagery or character development; it's just about a deep and desperate search for something.
We really have a close friendship with Christian Petzold, which means we can be more frank and open towards each other, always with total respect. But, we push each other a bit further and further always, and we're always still curious about each other. And when he talks about a story he's thinking of doing, then the whole process is so special because I'm involved in a very early stage and I have the feeling I can, and not only, influence anything about my character, but about the whole story that my character's in.
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