A good hair day is when my curls are popping. Sometimes my curls and waves, they like to go a little wild sometimes. They have a mind of their own. But some days, they just fall right into place.
"Hey, do you wanna go out for..." His words melted with a sigh when he noticed Tod, but then he rallied with a smile. "Hi, Tod, I didn't realise you were here. In my daughter's bedroom. With the door closed." "Happy to be here," Tod said, and I groaned out loud.
I used to go to the Hollywood YMCA when I first came here, and I was standing in front of the mirror doing curls, and I noticed this guy next to me also doing curls. He was grimacing a lot, and I noticed he had an underbite. I looked more closely and realized it was Bruce Springsteen.
Tobey's a mellow, cool guy. He's just a good guy. I know that's not the answer you want, and I don't mean that as the political thing to say, but he's a nice guy.
That's the difference between irony and sarcasm. Irony can be spontaneous, while sarcasm requires volition. You have to create sarcasm.
That's because Tod never brings anything but death and bad advice," I snapped. "That's not true." Tod tried to grin, "Sometimes I bring pizza.
There's like ten minutes when it's like, 'Okay, wait, who is this guy again?' And then, you know, I just put on the calculator watch and the glasses, and just be all, you know, inappropriate. And then it just works out fine.
Culture hides more than it reveals, and strangely enough what it hides, it hides most effectively from its own participants.
Culture hides much more than it reveals, and strangely enough, what it hides, it hides most effectively from its own participants.
I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more.
'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.
One of the last things that my dad and I discussed, and it sticks with me today, is that he no longer believed in the concept of Good Guy/Bad Guy. He believed in the idea that one guy is trying to beat the other. However, he would say, 'You can be a Good Guy/Bad Guy, or you can just be a star.'
there is a fine line between sarcasm and hostility, you seemed to have crossed it. What's up?
The problem was, you couldn't have one without the other. There couldn't be a bad guy unless there was a good guy to create the standard. And there couldn't be a good guy until a bad guy showed just how far off the path he might stray.
"No, you should stay right where you are, or my estranged brother and I will settle our difference by seeing who can break more of your bones." Tod glanced at him, brows raised. "You want to settle our differences?" Nash frowned. "No, I want to break every bone in his body, and I didn't think you'd let me do it alone." Tod nodded. "Good call."
We all know that men in moderate circumstances can have just as comfortable houses as the richest, just as comfortable clothing, just as good food. They can see just as fine paintings, just as marvelous statues, and they can hear just as good music. They can attend the same theaters and the same operas. They can enjoy the same sunshine, and above all, can love and be loved just as well as kings and millionaires.