A Quote by Rachel Dolezal

I would pretend to be a dark-skinned princess in the Sahara Desert or one of the Bantu women living in the Congo... imagining I was a different person living in a different place was one of the few ways... that I could escape the oppressive environment I was raised in.
At 16 I was living in the Congo, and, you know, it's your teenage time. I really wanted to find a way to express myself, so I started to write songs in the Congo, and I think that's why my music is quite open, with a lot of different influences.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
My mother named me after a miracle of nature: Waris means desert flower. The desert flower blooms in a barren environment where few living things can survive.
I always thought that people who live in the desert are a little crazy. It could be that the desert attracts that kind of person, or that after living there, you become that. It doesn't make much difference. But now I've done my 40 years in the desert.
You don't have to treat people differently. You may be living a different lifestyle, but the person living that different lifestyle still can relate to anybody and have the same amazing personality of the guy from North Philly.
In that little party there was not one who would desert another; yet we were of different countries, different colours, different races, different religions--and one of us was of a different world.
Traditions are imploding and exploding everywhere - everything is coming together, for better or worse, and we can no longer pretend we're all living in different worlds because we're on different continents.
If you really want to escape the things that harass you, what you're needing is not to be in a different place but to be a different person.
I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.
A child who can love the oddities of a fantasy book cannot possibly be xenophobic as an adult. What is a different color, a different culture, a different tongue for a child who has already mastered Elvish, respected Puddleglums, or fallen under the spell of dark-skinned Ged?
I think, growing up in a small town - I grew up in a lot of different places. I grew up in a city environment, a more suburban environment, a more rural environment. That's the beauty of New Jersey is you get a lot of different types of living.
Traditions are imploding and exploding everywhere - everything is coming together, for better or worse, and we can no longer pretend were all living in different worlds because were on different continents.
But I, you know, if I could choose a period to go back to, I think I would like to live through the Blitz. 'Cause you do read so many accounts of people saying they're living their lives at such an intense pitch that it was a completely different way of living.
I like to be a lot of different things at once and dress different ways and I change my hair all the time, so being an actor lets me live out the fantasy of living out 100,000 different lifetimes in one, without all of the repercussions.
British and American women have very different styles and a different way of living.
One thing I am quite passionate about is the absence of dark-skinned women in the media, so I have a passion to show dark-skinned women as beautiful, as vulnerable, as people who can be sexually desired and loving people, because it is never really seen on TV.
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