A Quote by Rachel Kushner
Art is like a stock with a decent return for people in finance, and they get to feel like they are involved with culture, spend time with artists, as part of their dividend.
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People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
A lot of people feel they spend enough time watching me go through the good, the bad, and the ugly, so they feel like they know me and are a part of it. I'm kind of like a part of people's families. You can't buy that kind of connection with people.
I like to control my environment, because I feel if I have my physical space in order, then I'm free to dream. So there is some compulsion involved. But the dividend I get is the freedom to be totally disorderly in my dreamworld.
I feel like Houston is one of the leading things in music culture. Everyone loves the Houston culture. It needs to have its own monument, its own moment for artists like me, artists like Beyonce who set it off.
I like to play video games, I like to keep up with sports, and I just like to spend time with people, because I'm on the road so much that when I'm home, I like to spend time with people that I don't normally get to see.
I feel a lot of cities are like, you go and you are trying to do your art, and there are so many other artists there who are so brilliant. And it's kind of like they stomp on the scene, and they are like, "You're not already Picasso? Get the hell out of here!" And Memphis is like, "Well, you'll get there one day!"
Elvis might have compromised his musical style a bit towards the end, but that doesn't mean that artists from the rock n' roll/folk-roots culture - of which he was not really a part - shouldn't get better as they get older, like the great jazz or blues artists.
I feel like there are a number of indie artists... as they grow, it makes the most sense for them to pivot to pop, to become bigger artists. And I feel like that's when people get really bad, you know? I didn't want to fall into that pitfall.
And at a relatively early age, ten or so, I invested my first share of stock. And I used to follow, look at companies and so forth. But throughout the whole period, and indeed right through my college years, while I was involved in the stock market, always interested in finance, I never thought of it as a full-time job.
I've been able to be a part of every movement in music over the last several decades. The only one that I haven't been involved in so much is hip-hop, which I chose not to be involved in because it felt like I would be what they called "perpetrating." It felt like hip-hop was so much of its own culture and that I was not part of that culture.
I think a lot of times our culture has an attitude toward art and the production of art that separates artists from the rest of us, like making art or music or painting or whatever is some magical thing that you have to be inspired to do, and special people do it.
I think it would be bad for culture and the art if artists and people who develop the apparatus to support those artists don't get paid.
A culture-bearing book, like a mule, bears the culture on its back. No one should sit down to write one deliberately. Culture-bearing books appear almost accidentally, like a sudden surge in the stock market. There are books of high quality that are a part of the culture, but that is not the same. They are a part of it. They aren't carrying it anywhere. They may talk about insanity sympathetically, for example, because that's the standard cultural attitude. But they don't carry any suggestion that insanity might be something other than sickness or degeneracy.
I really feel that artists or musicians are controversial people. Controversy is part of the nature of art and creativity. If people are not doing that, they're not artists - they're artisans.
My tiny baby blossoming art collection is comprised of works by artists I have either assisted or been mentored by, artists I am friends with, or artists I have traded with. As much as I want to and aspire to acquire works from established artists, I love acquiring works from my contemporaries in order to participate in this moment in time. The advice I would give is know what you like, take your time, and invest in things you feel connected to, as opposed to buying something because it seems cool or "of-the-moment."
Being a full-time musician back before I had my son, it was sort of too much 'me' all the time. I felt like a bit of a narcissist, always doing just my art - even though I feel like artists are doing a service as well. I needed something a little more literal, instead of writing music and hoping people enjoyed it.
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