A Quote by Rachel Lindsay
I'm obviously nervous and excited to take on this opportunity but I don't feel added pressure being the first black Bachelorette, because to me I'm just a black woman trying to find love. Yes, I'm doing on this huge stage, but again my journey of love isn't any different just because my skin color is.
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Whether you say I'm too black, I'm not black enough, this is me. I hope people realize that my journey to love doesn't have to be any different just because my skin is.
I'm happy to represent myself as a black woman in front of America and I'm happy for America to rally behind me and see what it's like for me to be on this journey to find love. Honestly, it's not going to be that different from any other season of 'The Bachelorette.'
Knowing that I was potentially going to be the first black Bachelorette actually held me back from wanting to do it. With the first, there's always so much pressure. And I knew I was going to be new to the audience as a lead for a number of reasons - being over 30, being a career woman, and also being black.
But when I fell in love with black, it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all.... You can be quiet and it contains the whole thing.
The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.
With stage, you feel completely like you're just in a bubble. I love not being able to see anything. I love coming out and I can't see anything because the lights are so bright and it's pitch black. That's ideal for me, that's when I have the best time.
I'm so humbled and honored to be chosen to represent myself as a black woman to America, and I look at it as such a positive. That's what made me move forward and want to embrace being the first black Bachelorette.
I'm always thinking about what a black lady would think about what I'm doing, just because I feel like they have such great taste, mostly because as black women, we've spent a lot of time downloading what a white male narrative is, so in my head, I'm like, 'If a black woman likes it, if she responds to it, then it's probably pretty damn great.'
I don't think because I hang out with enough black people, I'm gonna turn black. What kind of rationalization is that? I'm just friends with people that I like. I don't care what skin color you are.
I was raised in a completely black world. In those days, if a white woman married a black man, she lived as a black woman, and that was just the end of it. So, I don't have a feeling of being bi-racial. I don't have a connection to it. People often come up to me thinking I do have a connection to it, and I kind of let them down because I really don't.
White people don't have that problem, they get to go through life never having to fit into a box, and it's really more so true for white men because even just being a woman, you sort of have to walk around other people's assumptions of you and it's so exhausting and there's a sense, especially among young people of wanting to just live your life, not having to wear the weight of that pressure - pressure that people of color feel, that gay people of color feel, that women of color feel.
Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.
Sometimes, you feel like, 'Am I going to be upset about this as a black person or as a woman first? Or am I gonna be both?' Because some things inherently affect black women; some things affect you as a woman and not a black person; and some things just affect you as a black person.
I don't claim to say, "All black women are like me," because they're not. One type of black woman can exist, but also another kind can exist. I also really hope that people feel permission to talk about their own troubles, but also to celebrate themselves. Sometimes I feel as though I'm trying to take a hit for the team so that other people then can move forward. I'm like, "Look, I just laid out all of my stuff, so what's the worst that can happen"?
Blackface remains exoticist and offensive as a practice, not just because of its long tradition of being used to mock black selfhood, sexuality, and speech but because of its assertion that black people are merely white people sullied by dark skin.
I just can't wait to get out there on stage. There's no anxiety at all. I love being able to take this journey with the audience, because we all have a ball with it - even if we're crying.
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