A Quote by Rachel Platten
I feel like I have some stuff that matches 'Fight Song,' not in necessarily the message exactly but in the emotion and honesty.
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I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
As cheesy as it sounds, I feel like I do write a lot, not necessarily for a message to be taken away. I feel like it is a little bit egotistical to be like, "I hope they are a better person after listening to my song."
If you have just an emotion, you would not necessarily feel it. To feel an emotion, you need to represent in the brain in structures that are actually different from the structures that lead to the emotion, what is going on in the organs when you're having the emotion.
I wanted to make mini features. And there was a wonderful creative freedom; not necessarily copying the lyrics, but just trying to create emotion. Like the songs, you know? Just like how the song creates an emotion, I wanted the video to create an emotion.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon.
I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.
A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. It can just be your message. It can be your feeling. Some people might even call it a conscience, even though that's not really what it is. It's your message, what you feel like you need to do.
Whether it's an inspiring song or whether it's an entertaining song - whatever it might be about it - I just want people to feel the emotion that I put into it because I think emotion... is everything.
"The way I feel about music -- any song, any style -- is that there is no right and wrong, only true and false. If the music and lyrics are conceived out of honesty and if the production of the song goes along with its original message, then what has been expressed is art, regardless of what anyone's opinion is of it. So things are a lots impler if you just tell the truth.
I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.
Honesty was a tough customer... Once you started allowing yourself some honesty, it couldn't easily be contained or limited to one part of your life. It was like poison ivy or a bossy houseguest. Once it was there, you couldn't tell it what to do. You had to really fight to keep it from taking over.
The culture's changed massively. The kids are different, with the phones and stuff. Even if you like a song, you don't really know who the artists are, it's a lot more faceless, it's a lot less tribal. When we were growing up it was much more tribal - it was rock, it was grunge. Now people like songs, [but] they don't necessarily know the song's origins. I don't know how you would feel angry at the world, or distressed, because most people are constantly distracted or consumed.
I like reading things where someone's looked at what I do with some honesty, and maybe been challenged by it, and they have something to say that shows they've thought about it, even if they don't necessarily like it.
The key element of success is a product that matches all of what you've done in your message and your marketing, and all the emotion that has to be transmitted to the consumer through the product.
Melody's like tweezers that go into the infection and pull out the wounded part. You can almost not stay silent in the face of a melody that matches your emotion. You feel seen.
I never have used any other artist as a model for a sound or a song. It always has to come from an emotion, and capturing the essence of that emotion in a song.
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