A Quote by Rachel Platten

There's this misconception in the industry that you might have to go a little lighter or skate on the surface in order to reach people - and then in your second album, you get to tell who you are.
I love doing third albums. A group makes its first album, and then the record company rushes them into the studio to make their second album. After that, they go, 'Whoa, wait a second.' They get a little more confident. They step back and say, 'Okay, now we're gonna do it.'
You never know when you're gonna come across a sick skate spot, or a skate park you wanna stop at, so as long as I'm not injured, I'm always gonna have my board on me, and my skate shoes, and whatever I need to go out there and get a little session in.
I think that when you're making your way up in the music industry you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
I think that when you're making your way up in the music industry, you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry, your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
There's a misconception in my opinion... and it's that we Latinos have to go do an American album, an English album, an Anglo production, to cross over.
Moods are in the mind and do not matter. Go within, go beyond. Cease being fascinated by the content of your consciousness. When you reach the deep layers of your true being, you will find that the mind's surface-play affects you very little.
I think what's more important to The Prodigy is that, whatever number your album goes in at, or the single, or however many plays it gets, or doesn't get, or awards you get, or don't get; our reward, as a band, is to write the best album we can and then go to Download festival and rip it to pieces.
Now,I'm no scientist,but I know what endorphins are. They're tiny little magical elves that swim through your blood stream and tell funny jokes to each other. When they reach your brain,you hear what they're saying and that boosts your health and happiness. "Knock Knock... Who's There?.. Little endorphin... Little endorphin who?... Little Endorphin Annie." And then the endorphins laugh and then you laugh. See? Its Science.
You can go raise the money outside of the industry, and then what you're doing is fighting with your money to get back into the industry, or for them to use your money instead of their own. So, you got to figure out how to do it within the flow of the industry.
I think, for every artist, the second album is the most terrifying one to put out because it can either boost your career, and everybody can't wait until your third album, or the second one is terrible, and 'He probably hit a plateau on his first one.'
All of the little entries in 'The Cows' were written in an irregular way. There might be one or two done one day, and then two weeks might go by or four weeks, and then they were put in an order or sequence.
Diversity is essential to the success of the news industry, and journalists must include diverse voices in their coverage in order to reach a broader audience. We have stories to tell, but many in our audience have stopped listening because they can tell that we're not talking about them.
I think there's a misconception about the industry, that you have to change who you are to look 'cool' in order to succeed, and that's just not true.
Tracey Cunningham does my color, and little by little, my ombre turned into more of a rooted blond, and then it got lighter and lighter. I love how I stand out more as a blond - it makes me feel bright and healthy.
When you work on an album for three and a half years, you're kind of ready for it to get out there. To have your songs reach people.
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