A Quote by Rachael Harris

See, that's the thing: I'm not one of those actors who thinks, 'God, I've got to improvise and make it my own.' No, my first job as an actor is to take what's written and make it work. And then, if they want me to improvise, I'll do that.
There's nothing wrong with an actor that can't improvise, but if you're going to improvise, you gotta make sure you got people that can play the game.
I have great faith in the actors. When they improvise, it always sounds better than the stuff I write in my bedroom. When they improvise, they make it sound alive.
Every now and then, they ask me to come in and improvise with Stanley Tucci for an afternoon. They fly me off to America, I improvise for an afternoon - it's not the hardest, most taxing job.
A good writer takes time to go in-depth into a subject and then comes out with a good script. Then it's the job of the actor and director to improvise with it and make it even better.
If you got the truth, you put it out there, and everybody says, "Oh, my God. That's me." And then they improvise also. They take off, as well.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
When we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.
You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.
I also think if you're an actor and you can improvise, when you go on an audition and you can improvise you're just a genius. If you can, you know, take a Tide commercial and you can just say one funny line that's not in the commercial they think you're a genius.
I improvise whenever I feel it's important, or whenever I think that something's there. It's nice to have a script that's so well-written that I don't have to improvise. I mean, I used to have to re-write whole movies; this is kind of nice.
I think it's all the same animal for me. There are actors who sing, and there are actors who direct, and I also improvise. That's one thing I do as part of my acting. I don't really separate the two.
The first feature film I did, when I did 'Night Shift,' I improvised quite a bit because I would improvise at the audition, so sometimes I would return to the original lines, and then when I was on set, I would improvise even more.
I think a person who takes a job in order to live - that is to say, for the money - has turned himself into a slave. Work begins when you don't like what you're doing. There's a wise saying: make your hobby your source of income. Then there's no such thing as work, and there's no such thing as getting tired. That's been my own experience. I did just what I wanted to do. It takes a little courage at first, because who the hell wants you to do just what you want to do; they've all got lots of plans for you. But you can make it happen.
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.
Acting is constricted because you have the lines. But I improvise with it and what I learn on the set. I improvise rhythms and just changes.
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