A Quote by Savion Glover
I try new stuff every time I perform. I have steps I do that I know are definite, and stuff I can make up right then and there and then forget.
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I don't really collect anything. I grew up in a family that collected things and then they'd get sick and people die and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories.
I don't really collect anything. I grew up in a family that collected things, and then they'd get sick, and people die, and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories; I guess that would be it.
Somebody told me that if you wake up every day and do stuff that's easy, then you're doing the wrong thing. If you wake up every day and do stuff that's really hard and you manage to get through to people, then you're doing the right thing. They might have just fooled me by telling me that, but it worked. I think that's my philosophy.
One thing, when you're an actor, you finish something and then you have to worry about what the next gig is. When you're a musician, you can always write your own stuff, and I'm working on new stuff for a new album right now.
You're not ever going to get it done. Every time you evaluate contrast and conclude and then line up your Energy and allow it into your experience... at the same time you are achieving the result that you intended, you also achieve a new perspective from which to intend. You can't stand still. In every moment, there is a whole new set of stuff... new ideas, new desires being born.
I always think it's just best to just make stuff and to carry on making stuff, even if it's not off your own back, because that's the only way... especially as a comedy writer, I make short films and then show them to live audience, so if they're laughing you know you're doing something right.
I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
Hey, this is it—right now!—the time when you find out who you are and what you can do. And how will you ever know if you don't try new stuff?
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.
Make time less precious. We are way too efficient, making use of every hour, every minute. When you were a kid, didn’t you just spend hours poking sticks in the mud, climbing trees and sitting in them, looking at shells and seaweed that washed up on the shoreline? Time was not precious then, we weren’t trying to stuff an accomplishment into every minute every day, we had time for thoughts and feelings. That was good!
I have some property. We have a few acres, so I like working on it, whether it's cutting stuff down, cleaning stuff up, building steps, or working with concrete, you know, brickwork.
There's the hype stuff that people love for five minutes and then there's the stuff that changes cultures and shifts how you look at music. And then there's that rare point where that hype stuff changes the game.
I'm not going to make my bed perfectly every time. As much as my mom would want me to make it perfectly every time, if I got to get somewhere, I'm not going to make sure that pillow is just right. My toothbrush doesn't have to be in the same place every time. I'm not OCD about that stuff. When it comes to football, I want to be right on everything.
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