A Quote by Sajid Javid
I used to live in a street in Bristol which was, depending on your tabloid of choice, either Britain's most dangerous street or a moral cesspit. People made judgments about me on where I lived. It affected me - it affected my life chances. That is going on today with people in social housing. That, to me, isn't acceptable.
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Fame, for me, is different. Fame, for me, is not seeing myself on big billboards: it is when I go on a street and people connect to me. If I going to walk on the street, I know I can get 100,000 people following me.
Success to me is self-determined, the life I live today, to come from a kid strung out on angel dust, homeless, at some points sleeping in the street. No money, not knowing where the next meal was coming from. No sex, no relationships, people that didn't love me, didn't care about me, to where I am today... that's successful. When I signed my record deal I always wanted to be respected by my peers for my ability and my skill level.
I have always liked to live my life in a quiet and peaceful manner. I used to lead my life that way. But the rise in social media has certainly affected me. Now I am always noticed.
I do not believe I can no longer dress people, but it's more about dressing their insides. Everyone is affected by healthcare. Everyone is affected by education. And for me, a personal inspiration is the preservation of culture.
Your street, rich street or poor
Used to always be sure, on your street
There's a place in your heart you know from the start
Can't be complete outside of the street
Keep moving on through the joy and the pain
Sometimes you got to look back
To the street again
Would you prefer all those castles in Spain?
Or the view of your street from your window pane?
People don't realize how badly verbal harassment and cyber bullying affects you. I wish they had hit me in the face and gotten it over with, because what they said to me, sticks to me to this day. It affected me into the person that I am today.
'Ted Lasso' has affected all of us - affected the cast, affected the crew, affected the writers. You can't really make a show like this without being accountable, and looking at your own behavior.
Who is affected more when it's cold? Poor people. Who is affected more when it's hot? Poor people. Who is affected more when it's wet? Poor people. Who is most affected when the economy is bad? Poor people. Poor people are the most fragile.
What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need.
I've noticed that a lot of people who criticize me are from the U.K. - both in the press and on social media. Since I've been here, I've gotten a lot of stares on the street, but in the States, people always come up to me and say, 'I love your hair' or 'I love your dress, you're so cute.' Here, people just look at me like I'm a crazy person.
People were stopping me on the street to say, 'Oh my God, it's Crazy Eyes!' Which is kind of a funny thing to have people shout at you on the street.
People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."
The people who most affected me were the ones who got right in there with me, who cried with me, but who also had a certain authority, who dared to say what needed saying.
I used to want to be a pro wrestler first, a stuntman if I couldn't do that, and a fireman to fall back on. The guy who used to live across the street from me was the fire chief, so he was going to help me out if I didn't succeed at the other things.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
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