A Quote by Sajid Khan
When 'Himmatwala' didn't work, the negativity factor attached to the reviews were more pointed towards me. That's when I realized, that something has gone wrong.
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I have yet to meet someone who was successful who was even slightly negative. That comes from a muscle training. You can work on negativity and weed it out of your life. I've noticed that all of the people who acted as if they were going to be gone too soon, were gone too soon.
There was about a two-year period at the end of the '60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself. I went through a metamorphosis into something more authentic for me, a more authentic stage voice and writing voice.
Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
Don't respond to negativity with more negativity. Just put your head down and prove your critics wrong.
I do wish that reviews were less like book reports. There was an era when reviewers had something to say about a book: when they painted context and drew conclusions. Many reviews these days are little more than plot summary.
To some degree, the critic arises out of that negativity bias in that our brains are oriented towards threat and toward survival. The critic really started as a survivor mechanism in early infancy and childhood when we were trying to navigate our early family system and culture; when we're learning how to fit in so we could optimize that flow of love and affection. It was an internal voice telling us to shut certain patterns and reactions down, that negativity bias that's always looking for what's wrong, looking for the threat.
I must tell you that I should really like to think there's something wrong with me- Because, if there isn't, then there's something wrong with the world itself-and that's much more frightening! That would be terrible. So I'd rather believe there is something wrong with me, that could be put right.
Competitiveness that I've had as a player, competitiveness that was pointed in the wrong direction and went over the line. It's obviously something that I needed to work on and address.
The X Factor is something that's real. Once you find that X Factor, it's undeniable. No matter what the critics say about our band, we obviously have the X Factor. Redfoo has got the X Factor.
Happiness is a critical factor for work, and work is a critical factor for happiness. In one of those life-isn't-fair results, it turns out that the happy outperform the less happy. Happy people work more hours each week - and they work more in their free time, too.
Grandmother pointed out my brother Perry, my sister Sarah, and my sister Eliza, who stood in the group. I had never seen my brother nor my sisters before; and, though I had sometimes heard of them, and felt a curious interest in them, I really did not understand what they were to me, or I to them. We were brothers and sisters, but what of that? Why should they be attached to me, or I to them? Brothers and sisters were by blood; but slavery had made us strangers. I heard the words brother and sisters, and knew they must mean something; but slavery had robbed these terms of their true meaning.
You nodded towards the cup. "Want more?" I shook my head. "What about the car?" "Didn't find it. You were heading back towards me when I found you." "Towards . . . ?" You nodded. "So I reckoned the car had probably got stuck or died somehow, and you were just coming home." "Home?" "Yeah." Your mouth twitched. "Back to me.
If I hadn't gone towards boxing, I might have been one of those kids getting into trouble. A lot of my friends did. They were clever kids at school, but they just went down the wrong path.
Everywhere in the society, even my extended family, when they got to know that I am going to be an actor, they were very worried because there is a lot of negativity attached to my craft or being a heroine.
I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
Don't let negativity affect your vision. A lot of people have said harsh things, but I don't let it affect me. If anything it gives me more enthusiasm and pushes me to do better in my career so I can prove them wrong.
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