A Quote by Simon Amstell

If there's anything to be said in a broad way about different audiences it's that I live in a major city, and those themes of isolation, protectiveness, loneliness tend to resonate with other people in major cities. In a sleepier village, where people are married with their children, me standing up and saying, "This marriage idea is a funny old convention that we invented" - various things that are deconstructions of the norms of a culture - if people have already made decisions like that, they're more inclined to say "Please, stop talking about our marriages, 'cause we're here now."
Same-sex marriage is so ingrained in the culture now that when you're talking about regular, good old-fashioned marriage, you have to say "opposite-sex marriage" to let people know what you're talking about. Just describing, just talking about "marriage" doesn't let anybody know what you mean anymore. You have to specify opposite-sex marriage.
I used to live in a village, and I always loved listening to old people. Unfortunately, it was always women who were talking, because after the war, very few men were around. I spent my entire life living in the village. The village is always talking about itself; people are talking to each other as the village makes sense of itself.
I know, that trends and all of those things and formulae that calculate what audiences want to see and what audiences don't want to see and various other demographic demarcations are the eccentric and ludicrous prerogative of Hollywood studios. But out there in the real world - by which I mean the rest of the world where we make truthful organic films, independent films unimpeded by interference - it's not about all those sort of calculating what is commercial. It's about wanting to say things and saying them in a way that will get through to people.
Well, marriage doesn't function in the way it used to in terms of deciding our fate, but it's in our heads, and it determines a lot of our actions. Like, right now, if you think about gay marriage - and they just started having the first gay marriages in New York - it shows what a potent idea marriage remains for people.
There is no right or wrong way of giving. People in Los Angeles have made major contributions in different ways to the city: Eli Broad to art. David Geffen to hospitals. I'm not judgmental.
There are many who believe that 'Marriage is not a word - it is a sentence!' Whether you are indeed 'married' or if you are 'single', I am sure that funny quotes on weddings and marriages always tend to put a wicked smile to the face. It is often said that 'People who are married are often desperate to get out of it and people who are single can't wait to get in!'
I spent the first forty years of my life making major interventions into other people's lives, and I have an idea of the limitations of that method. I see a major event as rather like major surgery. It is a moment, but whether people use it, whether people go with it, needs to be seen.
We don't live in isolation. Most people don't like working in isolation - some do, but they typically don't end up playing Major League Baseball.
If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white.
The funny thing about 'Take Shelter' is that a lot of people talk about how it was allegory for the economy and things that were to happen. And that was so on the nose in the movie for me. I was like, 'That's obvious.' It's the other stuff about marriage and commitment and those other things that I spent the most time thinking about.
I love my city and I feel like the majority of the people that are in the city are people from other cities. So I think that L.A. sometimes might get a bad rap because it's known to be so Hollywood-oriented and then underneath that you have crime. But that's really the case in pretty much any major city that you go to.
I don't reinvent myself in any major way. It seems to be a slow evolution. I go back and visit certain themes that I feel strongly about and resonate with me emotionally.
I don't have a regular happy family like most people. My parents are separated; my dad married someone else and so did my mom. All my siblings are from my parents' other marriages. So yes, it is complicated, and I don't like talking about it or explaining this to everybody. But all this doesn't stop us from being close to each other.
I'm standing up for the right of self-determination. I'm standing up for our territory. I'm standing up for our people. I'm standing up for international law. I'm standing up for all those territories - those small territories and peoples the world over - who, if someone doesn't stand up and say to an invader 'enough, stop', would be at risk.
I don't think he was knowable. I mean, when most people talk about knowing somebody a lot or a little, they're talking about the secrets they've been told or haven't been told. They're talking about intimate things, family things, love things," that nice old lady said to me. "Mr. Hoenikker had all those things in his life, the way every living person has to, but they weren't the main things with him.
I think it's funny how excited people can get about things I say that don't have anything to do with music. I made a disparaging comment about McDonald's on Twitter once and people flipped out on me.
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