A Quote by Simon Beaufoy

I think you are doing a disservice to a novel just by transposing it wholesale onto the screen, because it doesn't work. They are completely different beasts. — © Simon Beaufoy
I think you are doing a disservice to a novel just by transposing it wholesale onto the screen, because it doesn't work. They are completely different beasts.
I didn't work with any of the beasts [ "Fantastic Beasts"], I didn't have much green screen, but I loved working on it. I'm excited to see it myself.
I think a good story can do as much as a novel; not the exact same thing, of course, but just as much artistically. They're different beasts, but to tackle an expansive country like the United States, you're either going to write a big novel, or go in to various points on the map and write stories or poems.
I've probably done myself a disservice as a brand because the movies I've made. They've all been completely different.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
With '44 Scotland Street' I found myself having to work out how a daily novel works, and it is completely different to a conventional novel.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
When someone says 'Action,' you just get on with it and hope that that is translated onto the screen for other people to see. All you can ever do is work as hard as you can on it and make sure you're doing your job.
I think 'Beasts of No Nation' is a novel that hopefully will affect each person who reads it in a different way.
I am completely open to doing a romantic comedy, but I will never do something just for the sake of doing a specific genre or because it's the time or place to do a different type of movie. I think that would be a huge mistake.
It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.
A novel means a new way of doing a story. If you go back the origins of a novel, 'Clarissa' - that's not a novel; it's just a bunch of letters. But it isn't! Because it's organised in a particular way! A novel is what you make of it.
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
You say fate is almost indispensable to literature - I think it's completely indispensable, at least in a novel, because a novel always has a plot. Even if nothing happens, even if someone just spends a day walking around Dublin, or whatever, there's still something going on.
And it is a folly to try to craft a novel for the screen, to write a novel with a screen contract in mind.
Entrepreneurs are different beasts. Beasts who don’t give a damn, who kick ass when required, who stand up to a challenge, and who rise time and again with utter disregard to fear or failure. These are the beasts who run the world.
When a new writer comes onto a project, he'll make wholesale changes just to mark the territory or for greater credit.
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