A Quote by Simon McBurney
I don't have what German directors call 'a concept' - a solid, fixed sense of the pattern that you should impose on the given work. I always get the feeling that I am raking up the earth rather than laying down the concrete.
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Air and Water can just swirl around being swirly, and Fire is just kind of aggressive, but my gut feeling is that Earth needs to work for a living. Earth has stuff to be doing. Earth is busy. Earth is solid and responsible and works hard. Earth is reliable. Earth is the designated driver of the elements and will always come over and feed the cat when you're out of town.
You have always had individual directors who begin in the advertising or commercial world, but they are probably exceptions rather than the traditional pattern.
I find it hard to write really cool texts in German. At some point I had the feeling that it didn't work for me any more. So I'd rather not write any German songs at all than write uncool ones.
Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.
Demanding immediate success invariably leads to playing the fads or fashions currently performing well rather than investing on a solid basis. A course of investment, once charted, should be given time to work out. Patience is a crucial but rare investment commodity.
I do know that some people believe that I see gender as a "choice" rather than as an essential and firmly fixed sense of self. My view is actually not that. No matter whether one feels one's gendered and sexed reality to be firmly fixed or less so, every person should have the right to determine the legal and linguistic terms of their embodied lives.
And to get the work done that I must do, one has to work in isolation and not be readily disturbed... I don't have daily newspapers, and I like to feel when I get up in the morning my attention is fixed on the work I am going to do.
They would make the 'Church ' their great meeting-point, rather than the Atonement of Christ. As far as my experience goes, they have more devoutness and less devotion, more fear and less love, more feeling of duty than of desire, laying more stress on Phil. ii. 12 than ver. 13, and in practice working upon the intellect and imagination rather than aiming at the heart, skirmishing among the outworks rather than assaulting the citadel.
The Earth is the Lord. Everybody walks on the earth. And nobody respects the Earth. Everybody who walks on the earth, shits on the Earth. Spits on the Earth. Don't respect the Earth. So the Earth didn't like it. So the Earth call for a revolution. And the earth is fighting back. The Earth call for a revolution. The Earth call for justice. And the Earth get justice. 'Cause the Earth release ganja. The Earth release herbs.
You love the game, but it's hard to do the things you do when you're feeling like you're a leg down all the time, literally. Or you're always beat up, even coming into the season. So it's just not as fun when you're down, and you got to work your way up. And you can't really get there because you're so beat up.
I think you can study too much. I've seen that happen. Young people get immersed in the work of other directors and end up imitating them rather than finding their own identity.
We should conceive of ourselves not as rulers of Earth, but as highly powerful, conscious stewards: The Earth is given to us in trust, and we can screw it up or make it work well and sustainably.
My philosophy has always been that benefits should percolate up rather than trickle down.
I am not comfortable kissing or exposing, and I believe in laying open my cards well in advance so that no one is inconvenienced. Till date, I have been very specific about certain things, and my directors have always understood my concerns and played along. I don't think this should pose a problem in the future as well.
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
In Italy, I am almost seen as German for my workaholism. Also I am from Milan, the city where people work the hardest. Work, work, work - I am almost German.
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