A Quote by Simon Pegg
The trouble with improv is that it is often about being funny in the moment without any real consideration for the bigger picture.
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I think real humans are so complicated, and often [characters] are written more one-dimensional without maybe even the writer knowing it. I've felt numerous moments in my life where my most confident moment and my most insecure moment were exactly the same time. There's nothing funny or interesting about perfection.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
He looked less handsome without the smile and glow in his eyes, but he also seemed more real. Being real will get me into trouble faster than any amount of charm.
The needs of a human being are sacred. Their satisfaction cannot be subordinated either to reasons of state, or to any consideration of money, nationality, race, or color, or to the moral or other value attributed to the human being in question, or to any consideration whatsoever.
I love performing. I love doing improv. It's a totally terrifying experience, but it's something that I've always felt so strongly about and that I'm kind of obsessed with. And just as an actor, it's a great exercise. It's a great playground, you know, to try things out and to work on your skills. Because the mandate of improv is kind of the same as acting: It's all about your scene partner, it's all about being present and in the moment and exploring together as a team, a collaboration.
...well, if women's work was never done, why trouble about how much of it wasn't being accomplished at any given moment?
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
Being a solo artist in general can be incredibly lonely. It's funny how often the bigger you get sometimes, the lonelier you feel.
I'd been involved with stand-up before improv, so I already thought highly of myself as being a funny person. I never thought I wasn't funny.
It’s about reaching that moment of pure ecstasy when a drawing just happens. Where every move you make with your hand and every thought you have in your head grows in front of you without any mistakes; no rubbing out, starting again and getting frustrated. It’s like being in a trance - it’s a fluid - and you almost don’t remember doing the picture. Drawing is an escape from all the unnecessary things in life that get in the way of being free.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
I'm out here for opportunity and championship and a belt that spells my name, but on a bigger stage, my bigger goal, my mindset is to completely eliminate any doubt in some of the minds that, 'Hey I don't want to take my dream to WWE. Where I'm from, what I believe in, it could cause any trouble.'
The vital consideration of incentives is almost systematically overlooked in the proposals of agitators for more and bigger government welfare schemes. We should all be concerned about the plight of the poor and unfortunate. But the hard two-part question that any plan for relieving poverty must answer is: How can we mitigate the penalties of failure and misfortune without undermining the incentives to effort and success.
There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
It's funny: your happiness is contingent on a bigger picture besides just yourself.
The purpose of faith isn't always to keep us from having trouble. It is often to carry us through trouble. If we never had any trouble, we wouldn't need any faith.
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