A Quote by Simon Rattle

Sometimes, musicians worry too much about how beautifully they are playing. — © Simon Rattle
Sometimes, musicians worry too much about how beautifully they are playing.
God wants your ministry to flow from the realization that you are a beloved child of God. In that place you don’t worry too much about how people see you. You don’t worry too much about whether they’re nice or mean. You don’t even worry about whether they love you or hate you. You don’t worry because you’re simply going to love them and love Him. This comes from knowing who He is and what He thinks of you. This is what it means to grasp you are a child of God.
If you're walking through the Union Square subway station - New Yorkers know it's obnoxious and crowded, and in the summer it's too hot - there are always amazing musicians playing, and sometimes there are multiple, different musicians set up in there.
A lot of times I'll be playing roles for which I'm too long in the tooth, but people who go see musicals don't seem to worry too much about that.
Like Russell, I enjoy the fact that when I'm playing solo, if I want to do something completely spontaneous, I don't have to worry about how I'm going to cue the other musicians, or if it's something that's rehearsed.
I learn so much from writing with other musicians, asking questions about their playing style and gear, and hanging out, too.
I don't get in vote in whether or how people remember me when I'm gone. It's really dangerous to sit around and worry about it too much, for me. It gets me way too in myself to worry about what people are going to think about me when I'm not around anymore.
I think caring too much about the economics starts affecting the creative aspect of the film. That is a dangerous process for a filmmaker. He should make his film without having to worry about how much it has cost or how much it will be sold for.
On our first record, man, I didn't know what I was doing. I was just playing. I was over playing. You're as green as you can be with no experience in recording or knowing how sometimes a song can work: when it's too much, when it's not enough, when it's not right.
Sometimes I worry I've said too much. But it's easier to write about things that are fresh in your mind.
The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.
Nowadays, performers worry too much about how they look. They're not concerned about what they're really saying to their audience.
Man, you'd be surprised how much I'm learning - not only about myself, but about the musicians who came before me. You don't realize at first when you listen to Armstrong's records how great this man was and how hard that Hot Five music was to play. After the experience of reading and playing those parts, I have an even greater respect for Louis Armstrong than before
I worry a lot about what people think. I worry people think I'm not helping them enough, that they don't like my music, that I'm playing a song too fast or talking too fast. I worry my wife isn't happy with our relationship... I'm afraid somebody's going to take my career away from me. That it's going to go away, or I'm going to get fired.
Do not worry about not holding high position; worry rather about playing your proper role. Worry not that no one knows of you; seek to be worth knowing.
Sometimes you just have to be happy you get one chance in life and not worry too much about whether you get two.
I'm a high-performance athlete: I'm running, I'm sprinting, I'm sliding, I'm doing pretty much everything and the last thing I want to worry about is my chest. I want to just worry about playing the sport at the highest level that I can.
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