A Quote by Simon Helberg
It's always nice when someone says that they don't realize it's me on screen, but it would be strange to enter a one story while thinking of another character I do, which is completely different.
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I think it's so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed 'Lady Macbeth.'
It's funny," she said, with a strange hitch in her voice, "but I never wanted to be tied to anyone. Never wanted to be owned or to belong to another person. But now I realize that belonging with someone is completely different. I belong with you, Con." "And I with you." He kissed her, sealing them together with a bond she didn't mind, and one that would never be broken.
With Eclipse, I felt like I was doing a completely different movie and a completely different character. So, yeah, it was nice and challenging.
In the sort of screen dappled with different states of mind which my consciousness would simultaneously unfold while I read, and which ranged from the aspirations hidden deepest within me to the completely exterior vision of the horizon which I had, at the bottom of the garden, before my eyes, what was first in me, innermost, the constantly moving handle that controlled the rest, was my belief in the philosophical richness and beauty of the book I was reading, and my desire to appropriate them for myself, whatever that book might be.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
I can tell you that I like to take a character where everyone may have an idea of what it's supposed to look like and go in a completely different direction with it. I like to make it my own and make it very personal to me, which will end up probably looking completely different than someone else's take on it.
When I read a good story, I often start thinking, 'Should I live my life according to what this character chooses and values?' It makes me think. I feel like I grew up to be a more mature person while thinking about character development in these fictional situations.
My story is going to be completely different than someone else's story in terms of hard work. What I might feel like is hard work, another person is dying to do.
I had more trouble than I had a sense of utility or satisfaction. But it served to occupy me and to keep me occupied in a field that I love - which was cinema - while I was waiting to realize the film that I wanted to do, which was Once Upon a Time in America, which took ten years of thinking and working to realize.
Acting is different from stand-up. It gives you this ability to enter into another character, to create another person.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
I've been playing the same character on Supernatural for the past nine years and while that character has gone through a lot of different iterations, it's nice to step out and just do something altogether different.
Every once in a while, someone would call me a foreigner or a Yankee, or whatever. In the United States, someone might say something, like how kids do, to point out that you're different. That would come as a surprise to me. As you get old, you either get defensive about it or you accept it and you reach out, because you realize the world's full of people like that.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
Sometimes I can't tell that someone is a selective asshole because they're so nice to me and the people around me that I don't realize it until someone else says, "You know, that person is an asshole." So I'll be fooled by selective assholes sometimes . . . lately.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
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