A Quote by Sal Vulcano
We got really creative. No longer are we just going up to people on the streets or parks or supermarkets. Instead, we would rent a whole location and then film there over an entire week.
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It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
I haven't heard from Bobby since May when we had our conversation, but then this thing broke last week, where they arrested him, and we were watching what was going on on the whole deal, and I was actually flabbergasted, at what the then police chief Parks was saying.
Farz' proved to be a flop for the first 10 weeks. I remember buying tickets worth Rs 5000 myself, just so the film would run in theatres longer. And in the 11th week the film miraculously picked up and ran for 50 weeks!
We would go on retreats to Florence. The people in the planning team got to be good friends and so we did things like, we'd all go over to the Fort Belvedere in Florence and take that thing over. Because it's up for grabs, you can rent it. And then have New Age meetings and all that kind of stuff. [Buckminster] Fuller loved to go there.
When I was younger, I would set up Grammy parties at my house where I would invite all of my friends over, and my whole family would sit in the living room glued to the TV. But I would just dream of someday going there, and I would watch the red carpet interviews over and over and study what was happening.
Only in Washington would the Republican operatives get the entire press corps ginned up over the notion that I'm going to be home campaigning instead of going to a bunch of worthless parties at a convention that's only being held to do something we all know is going to happen anyway.
I come from making money in the streets. The streets all I know. All my family is still in the streets. So, it's going to be hard to pull me right back into that. When I ain't doing no shows four days out of the week, I may be in my hood or at my grandma's house in the hood. But yes, I got a kid. I got to get more serious about the music so he don't get dragged into that life.
My hobbies are random. One week I want to exercise, one week I just want to eat all day. One week I'm going out every night and the next week I'm totally locked in my house, not going anywhere. I'm a little bit all over the place, socially. I don't have another passion or hobby - it's really music. I'm in the studio constantly.
I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It's really made the touring a lot less grueling. A lot of people get to this level and they're like, Now I do four cities in one week and they tour nonstop. I'm like, No, that sounds miserable. I'll just do two weekends a month. But whenever I'm in some awful place geographically, it's no longer that awful, because you've got the Internet and television.
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
The biggest thing right now is to know that I just didn't give up. It would have been the easiest thing for me to just go ahead and pull out of the tournament with what has been going on over the last week - just to be up there with my mum and support her. But I really wanted to come down here and play with Adam (Scott) and really try to win the World Cup and we achieved that which was great.
You can maybe be artistic and really original and creative, but as long as it's got that funniness at the root of it, then certain people are going to love it just because they need a laugh.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
When I started my career, we were running around water parks and ridiculous things like that. You used to drive in dreading pre-season back then, but now you know it's going to be pretty tough, but it's going to be probably what you need. It's going to be good for you instead of just slogging away.
I think sometimes there are films where I understand what they are about, but there are also some mysterious areas in the film where I haven't got the whole image and I haven't got everything. And then it stays much longer with me, because I have to somehow put myself much more into the film to get it. And so this is what I'm trying to do with my films.
My plan was to model and pay the rent and then intern with designers and work on the other side of the industry however I could, but then it just got to be too much, especially with casting, fashion week, and also working for a fashion designer.
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