A Quote by Salim Akil

It's a wonderful thing to see 'Wonder Woman' directed by a woman. That did have an affect on the character, the , and the nuances of that film. That's the same thing my wife, Mara Brock Akil, and I are doing taking on 'Black Lightning.'
I had a lot of great bosses - I worked for Gina Prince-Bythewood for two years, I worked for Ava Duvernay as a PA on her first narrative film, and I worked with Mara Brock Akil, so a lot of wonderful role models.
I don't think it's a bad thing to play a character that's not necessarily a super-woman. Even if the character is a little bit stereotypical, as long as the whole story is good and positive, or makes some sort of important statement, I think it's okay. But, on the whole, you can't just do that, especially as a black woman. It's more of a responsibility. You've gotta let the world see black women being successful, strong, smart, with power and who are self-possessed.
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
Sometimes, you feel like, 'Am I going to be upset about this as a black person or as a woman first? Or am I gonna be both?' Because some things inherently affect black women; some things affect you as a woman and not a black person; and some things just affect you as a black person.
I never want to set a belief that a woman has to direct a woman's film, meaning she can't direct a man's film. If only films can be directed by people who are exactly the same as that, it's only gonna limit all of the women more.
With 'Wonder Woman,' I did one story with Alex Ross, and I had a lot of fun doing it, but I don't think I could do a 'Wonder Woman' book on a regular basis, because there's so much history there and so much mythology and everything.
Did you ever see a one eyed woman cry? You know the saddest thing about the woman, the tears don't come out just one eye.
There was a very difficult time when a female hero was a man in a woman's body. 'Hunger Games' really changed that: a woman leading a non-woman's film in the action genre. I think 'Wonder Woman' does that on a very big scale.
It is a wonderful advantage to a man, in every pursuite or avocation, to secure an adviser in a sensible woman. In woman there is at once a subtle delicacy of tact, and a plain soundness of judgement, which are rarely combined to an equal degree in man. A woman, if she be really your friend, will have a sensitive regard for your character, honor, repute. She will seldom counsel you to do a shabby thing: for a woman friend always desires to be proud of you.
My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
I didn't see myself as a woman doing film but as a radical film-maker who was a woman.
I believe in Wonder Woman and the true spirit of Wonder Woman, and I wanted to tell that story. I didn't want to make her an alt version of Wonder Woman.
I've been a fan of 'Wonder Woman' as long as I remember knowing who Wonder Woman was. And being able to draw or write 'Wonder Woman' would be amazing.
One of the greatest things that ever taught me a super lesson was when I seen a baby come out of my woman's womb. The head and body - you know, a baby's born inside a woman's stomach, you know all that. But to watch this thing come out and fight for life, yo, and to see the woman's risking her life at the same time this thing is fighting for life, you know what I mean?
The thing about Brock has always been, who can push Brock to a level where you actually get to see the best of Brock Lesnar, because very rarely have people ever gotten a chance to see that. I mean, really, who can keep up with him? This is not wrestling hype: he's a once-in-a-lifetime athlete.
"Fish Tank" [my favorite woman-directed film] by Andrea Arnold. The film is so beautifully shot, and I love the raw energy of Katie Jarvis, who plays the main character, Mia. She is not a professional actress and she provides the film with a sense of realism. To me, the film feels so complete and superior.
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