A Quote by Salim Akil

Michael Schultz's 'Cooley High' is a classic. Oftentimes, we don't get to see films about coming of age, especially for young African Americans. — © Salim Akil
Michael Schultz's 'Cooley High' is a classic. Oftentimes, we don't get to see films about coming of age, especially for young African Americans.
The experimental film scene was very much misogynistic as well. I don't know if you have read what little attention was given to the films of Joyce Wieland, who was the wife of Michael Snow. Michael was the "genius" and she was not. If you look at the films they're wonderful, but very different. Michael was very proud of the films too, so it was not coming from him. It was coming from the general environment. I think both Chantal Akerman and I shared that. We wanted to find a language, which was the language of women.
When I was small, in the early '70s, my mother took me to see 'Cooley High.'
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
Schultz is not a Nazi. I see Schultz as the representative of some kind of goodness in any generation.
We get to go out into the schools and work with the kids on connecting them to their food at a young age, to actually see where their food is coming from, to see that their food is coming from the earth and not just from a supermarket. Once they make that connection, they can start to build upon that.
Like anyone else in television, I like to explore my life experience. And I don't think African-American artists see doing shows or art about African-Americans as something 'less than.' I think maybe the industry sometimes does. We don't get as much attention, we don't get critical acclaim and so on.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
The fact that women are very young in obtaining their civil rights and African-Americans are young in obtaining their civil rights, I think it's about time that we extend that to all Americans, whether straight, gay, purple, green, black, brown.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
[According to Twitter] 24 percent of American Twitter users are African-American. That's about twice as high as African-Americans are represented in the population.
There aren't a lot of films about adolescents or quote-unquote coming-of-age films that are realistic nowadays.
I can do an hour-long speech about Democrats taking African Americans for granted, and I'd have a line behind me of very prominent African-Americans who would say, 'Amen.'
It saddens me that African Americans - when they express their pain, when they protest about police violence, when they question inequality, when they raise issues of bondage and discrimination - African Americans are seen as not patriotic.
The number of African Americans in my profession is woefully small; about two percent of architects in the country are black. I'd like to see more diversity. That's why whenever I'm asked to speak at middle and high schools I always say yes.
Wedding films are always about the differences between people. But they haven't quite dealt with African-Americans and Latinos.
I don't like to do press. But I know sometimes I need to do it because every time I do there's young people - black and white, but I think about young African-Americans because that's the experience I grew up with - who hear it.
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