A Quote by Sally Rooney

Dominant and emerging forms of interpersonal communication have to find their way into literary language somehow - think of the epistolary novels of the eighteenth and nineteenth centuries.
The capital amassed in the eighteenth and nineteenth centuries through various forms of slave economy is still in circulation, said De Jong, still bearing interest, increasing many times over and continually burgeoning anew.
The degeneration of the revolution in Russia does not pass from the revolution for communism to the revolution for a developed kind of capitalism, but to a pure capitalist revo­lution. It runs in parallel with world-wide capitalist domination which, by successive steps, eliminates old feudal and Asiatic forms in various zones. While the historical situation in the seventeenth, eighteenth and nineteenth centuries caused the capitalist revolution to take liberal forms, in the twentieth century it must have totalitarian and bureaucratic ones.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
That's why history is not an answer to our problem, because history complicates, enlarges every problem of human existence. Now, the eighteenth and nineteenth centuries didn't believe this.
In the supposedly enlightened eighteenth and nineteenth centuries, parental indifference, child neglect, and raw cruelty appearedamong Europeans of all classes.... In mid-nineteenth- century France, families abandoned their children at the rate of thirty-three thousand a year.... It took sixty years after the criminalization of cruelty to animals for cruelty to children to be made punishable under English law.... Industrialized America added brutalizing child labor to the oppressions of the young.
Little by little, not without astonishment, I rediscovered the great names of the eighteenth and nineteenth centuries, who had been the master thinkers of my grandfather and other Mexican liberals. They did no offer me a doctrine or a catechism: they were and they are a source, an inspiration.
We've had science fiction novels where China is dominant; we've had novels where India is dominant, and I suppose it's all about getting away from that cliched old tired idea that the future belongs to the West.
I teach Korean translation at the British Centre for Literary Translation summer school, so I see an emerging generation too, who are around my age. I'm hoping to find time to mentor, and to help emerging translators to a first contract through Tilted Axis.
If I were to summarize in one sentence the single most important principle I have learned in the field of interpersonal relations, it would be this: Seek first to understand, then to be understood. This principle is the key to effective interpersonal communication.
As a reader, I try to love all the literary forms equally, but I probably read novels most often.
I find it hard to believe that Senators or the American public will classify Sotomayor as unqualified, particularly given the thin credentials of many of our eighteenth and nineteenth century Supreme Court Justices.
The way we look at nineteenth-century English social realism and appreciate the working classes of the emerging industrial revolution.
Throughout the European Middle Ages and Renaissance, Latin was the language of learning and international communication. But in the early modern period, it was gradually displaced by French. By the eighteenth century, all the world - or at least all of Europe - aspired to be Parisian.
I love epistolary novels and became wildly excited when the form presented itself to me.
One of the most extraordinary and all-encompassing forms of communication is music. It reaches places that all kinds of other things cannot reach. I'll put my cards on the table: I think it is our greatest language.
I feel like it's not so much a tradition as a system that has been codified over the centuries starting in the Renaissance that applies to any painted surface. So if you're engaging in paintings, this is the language that one has to learn and is obliged to speak. I was very fortunate that I learned this language when I was a kid before I went to California, where I learned the language of attitude. Somehow the two things began to coexist.
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