In PhD, my topic was Stage Techniques in Sanskrit Drama - theory and practice. I wanted to combine my drama training with Sanskrit drama, which has a very rich history in literature.
The test is the sixty seconds of every minute, and the sixty minutes of every hour, not our times of prayer and devotional meetings.
There are certain things in this world we all have in common such as time. Everybody has sixty seconds to a minute, sixty minutes to an hour, twenty-four hours to a day. The difference is what we do with that time and how we use it.
TV by and large has become a dime-store business so far as creativity and talent are concerned. The half-hour and sixty-minute series rattle off the production lines like cans of beans, with an occasional dab of ham inside.
Sometimes a minute is really the difference between success and failure. There are times when you finish with ten seconds left, and one extra minute could've meant everything. You almost have to think of it as a sporting-event type of atmosphere: A football game is sixty minutes long. Think of how many games could be won or lost if the team had one more minute?
Entire years had passed when he was rich enough in time to disregard the loose change of a minute, but now he obsessed over each one, this minute, the next minute, the one following, all of which were different terms for the same illusion.
I love musicals but it's very, very different. It's really just a different form than serious drama, and has very different rules and a completely different set of characters and requirements and ambitions. It maybe shouldn't be as separate as it is, but it's got a different history. In terms of serious drama, I think you'd have to say that you could break it down essentially into the narrative realist tradition and experimental theater.
Time I have only just a minute. Only sixty seconds in it. Forced upon me, can't refuse it. Didn't seek it, didn't choose it. But it's up to me to use it. I must suffer if I lose it. Give account if I abuse it, Just a tiny little minute but eternity is in it.
Fill the unforgiving minute with sixty seconds worth of distance run.
This is an absolute law: You've got to be rich inside to become and remain rich outside. Become rich inside and your mental equivalent will manifest in your experience.
Some of the highest vibratory places one can visit have become very expensive. They are the domains of the rich. The rich figured out a long time ago that certain neighborhoods have more power.
For every minute you remain angry, you give up sixty seconds of peace of mind.
Every sixty seconds you spend upset is a minute of happiness you'll never get back.
Obviously, when you do something with drama and comedy in it - and by that, I mean a scene that has drama and comedy in it - you know the minute you introduce music, you're either scoring the drama or you're scoring the comedy, and therefore the scene becomes either dramatic or comedic.
There are people who want to become rich; they become rich. If you persist you can fulfill any kind of stupidity
A business owner can become rich exponentially and people who work for wages become rich incrementally.