A Quote by Salma Hayek
My mother was devoted to helping people - with my father's money! - who had great voices but didn't have the financial means to study music. He and my mum gave away dozens of music scholarships, and my mum opened a school in town, introduced opera to children and created fantastic programmes.
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I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
My mum's father was a producer and her mother was an actress, so my mum was fully behind me going into acting.
My parents being Bengali, we always had music in our house. My nani was a trained classical singer, who taught my mum, who, in turn, was my first teacher. Later I would travel almost 70 kms to the nearest town, Kota, to learn music from my guru Mahesh Sharmaji, who was also the principal of the music college there.
I started playing piano age six. I was also singing in the choir, so my mum put me into music school. I went to study there for seven years, but it was not my passion. I quit because I wanted to study marketing. But I can still play piano.
In school, all my teachers and my mum were super routing for me to study at Oxford. I picked music as a career choice, and this didn't sit too well with them!
My parents divorced, my brothers and I ended up living with my mother, and we were living with the choice of heating or eating. My mum was working, but she needed financial support to make ends meet. I had to have free school dinners and free school uniforms.
One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
My father had his demons; our relationship was difficult and fractured. But I don't ever think, 'Poor me,' I just feel blessed that I had my mother. She was such a great mum.
Growing up as a classical musician, you're taught a lot about outreach and about how people aren't being taught music in school. But you don't have to study music to like it. And a lot of the music that people like - be it jazz or rock or opera - is stuff they haven't studied.
Normal people, fear the day their parents die. Screwed up people, fear the day their parents kill. My mum killed a guy, at my wedding. So I can pretty much check that off. But, she's my mum. And no matter what she did I just can't walk away from her. She gave me birth. She gave me love. She gave me the ability to make a cigarette fire look like it was started by the hot water heater.
Music was around in my family in two ways. My mother would occasionally sing to me, but I was mostly stimulated by the classical music my father had left behind. I had an ear for music, I suppose, so that's what began my interest in music.
Being a mother is the best thing that ever happened to me. Before you have your first baby you are a girl and then you become a mother. There is no transition into being a woman; you literally become a mum and being a mum means you always love someone else more than yourself and it is an unexplainable situation.
My mum is a singer and harpist, and my dad writes fantastic poetry, so we've grown up around a lot of words and music.
My mum's an opera singer: I grew up watching her get swept up in music and transform herself into characters. She taught me that music is a lifelong journey, and that with every day and every song and every gig you learn something new.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.
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