A Quote by Samoa Joe

I had the greatest deal in the history of professional wrestling. I could work for WWE, anybody else that I wanted to, and collect income from every one of those companies, including merchandise. It was a really good deal.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
I don't know one Jewish person that doesn't want to have a deal, a good deal, a proper deal, but a really good deal.
I look at Boston-based companies all the time... There's certainly great companies in Boston. If the deal makes sense on the merit of the deal itself, we'll go and do the deal.
When I left WWE, TNA offered me a deal. It was a sweet deal: ya sit at home the majority of the year. Just show up every now and then and make some money. That was a sweet deal for me; that was like a vacation.
WWE was far more tougher than working for a film where you could take a shot and go and rest in the trailer, but for WWE, one had to exercise, eat well, fight, and even deal with injuries.
Hulk will always be a part of sports entertainment/professional wrestling history, and there's nothing that's gonna change that. His relationship with the WWE, whether it's official or unofficial, is something that can't really be erased.
Obviously, The Glamazon has been covered in every wrestling magazine known to man, including WWE Magazine, however, I've always wanted to do a fitness magazine.
WWE is the biggest entity in professional wrestling and if you want to prove yourself to be one of the greatest or one of the best, then that's the only place you can do it.
I think the yearning for a different product is really strong. WWE hasn't had any significant change since, what, 2001 in wrestling? WWE provides so much good content. Just good, wholesome content, but they're still the only one.
I love to work. It's the idea of having someone else tell you how to make your film or how to sell it - that's the part I can't really deal with. I would rather do 1,000 things that are work than deal with one thing that's a political problem.
When the WWE does well, professional wrestling does well. The WWE is what most people know as professional wrestling.
I'm a really strong guy. I can deal with a lot of things. But I can't deal with anybody suffering.
And so it's sort of a fine line where you want to be recognizable as professional wrestling but you also want to set yourself apart from what some people consider the standard of professional wrestling, which is the WWE.
I think all three of those men [James Mattis, Mike Pompeo and Rex Tillerson] that you just mentioned, depending on what deal was struck with Russia, depending on what terms the deal would have and what incremental steps we would have to take and measurements that we would have to take with potentially Russia in a deal, some of those positions could change, and some of President-elect Donald Trump's positions could change depending on what deal could be struck.
I wanted my art to deal with very formal concerns and to deal with very material concerns, and to deal with antecedents and art history, which for me go very far beyond just the influence of African-American artists.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
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