A Quote by Sandra Bullock

My job is not to talk smack about anything. This is why I dislike strongly doing magazine articles: My personality does not translate to print. People don't read it as sarcasm, and it just comes off badly.
Sarcasm doesn't translate in print at all.
Before I accept a job, I always talk to folks about it. Why does he kill these 22 people? If they say, What difference does it make? I know we have nothing more to talk about. A character has to be three-dimensional.
Before I accept a job, I always talk to folks about it. 'Why does he kill these 22 people?' If they say, 'What difference does it make?' I know we have nothing more to talk about. A character has to be three-dimensional.
Every time I read anything, whether it be a book, a script, or anything, I automatically imagine myself as the boy in the plot. I don't know why. Seriously, anything. If I'm reading a magazine article or whatever, I picture myself as the kid people are talking about. It's really weird. I don't know why I do that.
If anyone ever wonders why there's nothing coming from me, it's not my fault. I'm doing the work. No, I haven't deteriorated or gone insane. Suddenly, I just can't get anything into print. And apparently I'm not alone in this. There are people of very high standing, authors who are having problems. So I have been told. In my own case, the more disturbing element is the editor-in-chief who said to me, "I think this book is terrific. It ought to be in print. I can't publish it -- I've been told I mustn't." The indication is that I'm not writing what people want to read, but I never did.
Sarcasm doesn't read sarcastic in print.
If you're nervous about doing something, plan to do it badly, giving yourself credit for just doing it. That takes a weight off your shoulders because anyone can do something badly.
I used to think of the cartoons as a magazine within a magazine. First you go through and read all the cartoons, and then you go back and read the articles.
If you're not going to love the Spurs, just don't talk smack to me about it. And if you're going to talk smack to me about it, be funny.
People asked me, 'Why aren't you doing something more important?' When I was doing well in the D-League, they were like, 'Why can't you get an NBA job? Or a college job?' I don't think people thought much of what I was doing. That's fine. I was learning. Not just X's and O's, but team dynamics.
I'm just gonna talk about being Nigerian-American. I'm gonna talk about being single. I'm gonna talk about what happened to me on the train today. I'm gonna talk about so many other things that, as a comic, you're able to talk about because you see the world in sarcasm.
Why should I dislike anything about my appearance? I came off the factory line this way. I am perfect.
I still have the 'New York Post' delivered because it's so garrulous and nasty and wonderful when you read it in print. Some things just don't translate online.
I don't read magazine articles that I've been in.
I've been doing stand-up longer than I've been doing anything. It's just learning how to act on camera, trying to get better at that, figuring out how to make my humor translate and bounce off other people. It's not a big challenge, but the main thing is just trying to be on point and be the best I can be on these shows.
When we talk about novels, we don't often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
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