A Quote by Sandra Bullock

I think in general, romantic comedies tend to take one person's point of view, but every once in a while you get something that is balanced for two people. — © Sandra Bullock
I think in general, romantic comedies tend to take one person's point of view, but every once in a while you get something that is balanced for two people.
I think romantic comedies in general are marketed towards women, and I think men are half the romance, so why not have some that are truly from a male point of view.
I would say 80% of the scripts I get are dramas and not comedies or romantic comedies, which is funny because that's what I do every week.
I've never felt that I had to take a role in one of those mediocre but hugely budgeted romantic comedies because I want to wear beautiful dresses and have people think I'm pretty and that I get the guy.
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
The dark comedies tend to be in a non-releasable area. There can be romantic comedies. There can be dramas. But there's no 'dark comedy' inbox for the advertising.
My favorite movies are all romantic comedies. I love the romantic comedies. I'd still have to say Pretty Woman. I still think that it's one of the best ever.
To state the obvious, romantic comedies have to be funny and they have to be romantic. But one of the most important things, for me anyway, is that they be about two strong people finding their way to love.
In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.
I don't take myself too seriously. I think that's something so many actors and people in general tend to do.
I think with romantic comedies it's a lot about tone, because different romantic comedies have different tones.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
We "chicks" have munched our popcorn while romantic comedies became just comedies, and then each female protagonist got recast for Mathew McConaughey or Seth Rogan.
We 'chicks' have munched our popcorn while romantic comedies became just comedies, and then each female protagonist got recast for Matthew McConaughey or Seth Rogan.
Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.
Even actresses that you really admire, like Reese Witherspoon, you think, 'Another romantic comedy?' You see her in something like 'Walk the Line' and think, 'God, you're so great!' And then you think, 'Why is she doing these stupid romantic comedies?' But of course, it's for money and status.
Bypasses are devices that allow some people to dash from point A to point B very fast while other people dash from point B to point A very fast. People living at point C, being a point directly in between, are often given to wonder what's so great about point A that so many people from point B are so keen to get there and what's so great about point B that so many people from point A are so keen to get there. They often wish that people would just once and for all work out where the hell they wanted to be.
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