A Quote by Santi Cazorla
Malaga were the club that bid the hardest for me, and they were the first, too. When Villarreal told me that they wanted to sell me, I chose them.
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When ROH came to me, they made it very clear they wanted me on their team. It wasn't a case of them finding me, I chose them. I knew they were the company for me.
I wanted to be a doctor at some point, and I was always bringing home strays from school: people who were too poor to pay fees or have food. My parents never rebuked me or told me that they were hard-pressed, too.
Human nature being what it is, if you told me you were going to give me one dollar with no strings attached, I probably wouldn't question the gift too much. But if you told me you wanted to give me one hundred dollars with no obligation, I'd have to think about it for a minute before accepting.
Until the '90s, major labels were looking for a certain look. This Sony guy told me I was 'too black, too fat, too short, and too old.' Told me to go and bleach my skin. Told me to step in the background and just stay back. I had the voice, but I didn't have the looks.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
When Atletico wanted to sell me, I was told that I earned too much money and they wanted me off the wage bill. I liked that honesty.
I needed somebody to love me, and the people that I chose were my coaches. I would sacrifice my body to be successful for my coaches because I wanted them to love me, to respect me, to have positive feelings about me.
No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg.
No, I chose the name Jane Seymour because I was doing my first film, 'Oh! What a Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger.
All the coaches I've had have been important for me, whether it was Joel Muller at Metz, Rolland Courbis at Marseille, Manuel Pellegrini at Villarreal or Roger Lemerre with Les Bleus. All of them were important along the way, and each of them had faith in me and let me play.
People were standing up everywhere shouting, "This is me! This is me!" Every time you looked at them they stood up and told you who they were, and the truth of it was that they had no more idea who or what they were than he had. They believed their flashing signs, too. They ought to be standing up and shouting, "This isn't me! This isn't me!" They would if they had any decency. "This isn't me!" Then you might know how to proceed through the flashing bullshit of this world.
I went to almost all of the agencies in New York when I first visited. A lot of them wanted to sign me but also kind of indirectly were telling me that I needed to change in some way. Some directly told me that I wouldn't be a model unless I changed the way that my body looked.
writing had to take the form of journalism. Not for me the Shangri-la of fiction. The rewards, if any, would have been too little and too late, the bailiffs were at the door. ... Two large bailiffs, they were, who visited frequently and smiled like grand pianos, the only really reliable men in my life. They told me what they were going to do and if they did it, woe was me.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
Somebody approached me about writing a biography on me, I told them they were too late.
American envoys came to see me before the crisis in Iraq and asked me to say that there were nuclear weapons in Iraq. I refused. They even told me that things would go well for Belarus in terms of investments, etc. All I had to do was to support them. I told them that I couldn't do it because I knew that there were no nuclear weapons there.
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