A Quote by Sara Bareilles

My life is so different because of 'Waitress.' The people that I'm close to, the things I do professionally, my colleagues, my best friend and my boyfriend - like, all of these things have come to me because of the show. And it's really beautiful.
You have to sit with the songs until they start to live. Or do things straight-up spontaneously. I set up a beat just like I do in the live show, add the lyrics that I wrote in thirty minutes - I already had a topic in mind because I had this crazy experience with this girl who was trying to get close to me and it freaked me out because she was really close to another friend of mine, and I thought, "This is a story, I'm gonna make this into a song."
Some of the worst things that have happened in my career, like things getting leaked, have actually been what's best for me, because people knew when I was on that show that I was really growing up.
No. That's Clary; shes's my best friend." Simon pocketed his phone. "And she has a boyfriend. Like, really, really, really has a boyfriend. The nuclear bomb of boyfriends. Trust me on this one.
I find it quite boring when people do things that are very considered and thought through. I like things best when they're just done because they're fun or beautiful, or simply because they are what that one person wanted to do at that one time.
People yell at me because I often say that everyone's my best friend, but it's true! I think that's why I like playing the best friend so much, is because I love best friends.
As early as second grade I remember feeling really different and isolated. I had the hugest crush on a boy, and my best friend had a crush on him, too. One day he said to me, 'I like your best friend more because she's paler and she has freckles.' And it was right then that I began to feel like, Oh wow, I'm different.
One of the fashion things I ever did was for Helmut Lang for Visionaire magazine and I used people from all genders. People from the age of 18 - like James King - to people like my friend Sharon [Stone] who's about 50 or older. People of all different shapes and literally all different genders and my boyfriend at the time and his daughter who was 11.
I use people that are close to me, like a studio assistant or a friend, someone I know who's going to really enjoy it. It's important to me to have men inside there, too, because so many dollers are men. It's putting me into a pretty odd headspace, the shooting, because I understand the motivation of these dollers to dress up. There's a way that you start to prefer the reality of that world to your own world. It's so much more beautiful.
For me, difference is beautiful, there is not only one beauty, and in a collection I always like to show mixed directions. When you look at people or things, there are all these codes and standards that come into play around what is considered ugly or beautiful, and I've always questioned that. When you're a kid, you're not conditioned, you don't see perversity, there's a state of innocence where everything is beautiful, you see differently....I am lucky because I am doing now what I dreamt of doing as a child, and I like to think that I've retained a childlike state of mind.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
There isn't one thing in particular; rather, a lot of different things give me inspiration. I tend to come up with tunes when I do things that are not part of my daily routine, like traveling. But even during my everyday life, I come up with tunes when I'm emotionally moved. By looking at a beautiful picture, scenery, tasting something delicious, scents that bring back memories, happy and sad things... Anything that moves my emotion gives me inspiration.
I've been different things in different contexts, and I didn't really feel beautiful until I had my first child. I knew that I was considered 'People' magazine's Most Whatever, but all that stuff is just how we label different groups. And I've been very not beautiful in my life. There's no way I was beautiful growing up.
I think as women, you know, if you are considered a pioneer in these things, you can get really distracted by these other things - you know, people's demands of you reflecting on your otherness. And for this white critic to say, "I don't understand why she doesn't do that" - and you're like, "It's because I'm running a show on a major network and I want the show to continue" - and to sort of guilt me.
I'll be anybody's friend, but only because I want to be their friend, not because I need something from them. This kind of an attitude sometimes makes it so some people - who want something from me and can't have it because they're not nice people - have an influence that can make things not great sometimes. But I don't care, because those people will be gone in a year anyway.
And, you know, my dad would show me some things sometimes, but the best things that I got to do were to actually see really good players play up close. That gives you an idea of fingering and technique and what not.
I wanted to be as close as I could to the Really Real, and I'll capitalize both of those R's, because God is a word that means different things to different people, but we might all agree it's what is most real.
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