A Quote by Sarah Blasko

There's so much more you can do with the dynamics of songs when they're simple... I think it was what I needed in my life - there was a lot going on, a lot of layers.
I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.
Ever since 'Hail to the King,' we've been more cognizant of our chord progressions, our key changes, drama in songs, a lot of dynamics - we've really added a lot of that in there.
I've got a lot of opportunities, a lot of love in my life, a lot of things going for me. Still, it's not complete. I know this is not the whole thing. There's much more.
I think there's only eight songs on 'Born to Run' - I don't think it's much more than 35 minutes long. But as you move into it, where every song comes up in the sequence makes a lot of sense - though we weren't thinking about it; we were going on instinct at the time.
I think that the most significant, guiding principle was that we wanted to return to a three-piece live form, whereas we became a four-piece for the last record because the songs had more extensive arrangements and we needed a keyboard player to pull off a lot of those songs. We missed the energy, and more push-and-pull of the three-piece.
As you get older, you have more and more layers of experience to forgive, more layers of heartbreak, more layers of what you might think of as failure.
I think everyone is just expanding, with the centers shooting 3s. I think that just opens the floor up a lot more. A lot more shots are going up, a lot more freedom of movement. It makes it more of an exciting game.
I think I was given an opportunity, and I ran with it. I think I've made a lot more of it than anybody thought I was going to, and that's why it's gone so well, but it's opened a lot of doors and a lot of eyes to what I can do.
I feel a lot more comfortable being me these days. I'm constantly told that my work is good. A lot of fans and a lot of other artists say my songs and albums mean a lot to them. Isn't that what's important?
I have removed a lot of negative influence in my life and try to surround myself with positive people. I have a much more simple life than the old days.
There are a lot of layers in the film [Dream of Life]. And during editing we would try to tame all the layers, try to make things a little bit more understood. We would move scenes around. We'd try all these things.
I think I've started to have a lot more fun around snowboarding, even going out of the halfpipe and going to hit some jumps or getting some 'pow.' That definitely made it a lot more fun to me, just adding that much positivity into snowboarding.
The story of 'Punyakoti' is real-intense. It has a lot of layers and is not as simple as the stuff I wrote when I was an amateur.
I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.
I always wanted to know, and I always used to daydream, about what it would be like to stand on a really big stage and sing songs for a lot of people, songs that I had written... Daydreaming was kind of my No. 1 thing when I was little, because I didn't have much of a social life going on.
I think, a lot of times, network shows are under a lot of mandates. There's a lot of moving pieces. There's a lot of money. There's a lot of people who are going to be disappointed if anything goes wrong.
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