A Quote by Sarah Brightman
Right before I go on stage, I'm absolutely terrified. My mind darts at many directions, but the center of me is going forward into the performance.
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When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
All modesty aside, I think I'm good at reading scripts. The way I read a script is as fast as I can, all in one sitting, and I don't read many of the stage directions. I only read enough stage directions to let me know where I am, because they're always so verbose and mostly horseshit. So I only read the dialogue, which allows me to see the movie in my mind's eye in real time.
The hardest thing for me was probably the different roles in the Performance Center because when you go to the Performance Center and become a WWE Superstar, you're on a different schedule. But in the indies or in Mexico, you have your time.
The WWE Performance Center is absolutely magnificent and like nothing I have ever seen or trained at before.
I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?
I lived to be on stage, and I'm terrified. Terrified before every show.
I think with performing, initially I was terrified on stage, absolutely terrified. And I did it again and again and again, and I learned sort of how it works, and then I was able to do it.
You are like a candle. Imagine you are sending light out all around you. All your words, thoughts and actions are going in many directions. If you say something kind, your kind words go in many directions, and you yourself go with them. We are ...transforming and continuing in a different form at every moment.
Robinson did not merely play at center stage. He was center stage; and wherever he walked, center stage moved with him.
At times, I've been so absolutely terrified of what I was about to do, whether it was public speaking or performance. Whatever it was, sometimes it had me really, really shaking in my shoes, and I decided that I was going to do it no matter what. And, of course, the critic is there, and afterwards, there's this, "Was it good enough? Was it really all I wanted to say?"
In 1987 I got dartitis, a psychological condition which means you can't let your darts go properly. For a time, I wondered what the hell I was going to do if I didn't recover. But I remained positive and, thankfully, got over it. It occurred during the Swedish Open when I found I couldn't let the darts go.
Darts should definitely be in the Olympic Games. Can you tell me any difference between archery and darts or shooting and darts? It's a very similar concept and both of those are in the Olympic Games. And don't forget that darts is also a hugely popular sport.
We all get to choose where we set up the stage of our lives - before the Crowds, the Court, the Congregation, the Critics (inner or otherwise)-- or the Cross of Christ. All except One will assess your performance. Only One will accept you before your performance ... Only in Jesus is there 100% acceptance before even 1% performance.
The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
It used to be enough for me to get on stage and sing. I kind of crave the performance part now. I write knowing it's going to happen, which I didn't do before.
I've played center, power forward. Wherever I can help my team be successful, whether that's playing power forward or center, I'm going to come out and do my job. Nothing changes.
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