A Quote by Sarah Bradford

There's things you just don't ask, because if you did, the interview would be over very quickly. — © Sarah Bradford
There's things you just don't ask, because if you did, the interview would be over very quickly.
It is crazy even to ask what creativity is. It would be just as useful to interview a caraway plant in your garden and ask: "How did you decided to be a spice?"
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
I probably would do over the Tom Cruise interview because I've thought of so many things I would have said in hindsight.
If the interview was done in the studio, Frank McGee would automatically do it. But if I went out and got it, then the interview was mine. So I was considered a pushy cookie, because I would get the interview.
Once we get them in the studio, you interview a person the same way you would interview another. You ask them a question. You let them answer. You try to listen closely and then ask a follow-up.
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
I was a very bad journalist. Awful. I would just invent everything. If I did an interview, I had a preconception of what that person should say and I would put my words in his mouth.
When I interview people accused of capital offenses, I never even ask if they did it. I would consider that unprofessional.
The whole process of telling my story to my ghostwriter was so intense, after all, because he would ask me questions that no journalist would ask me. Things like, 'How did it smell at your grandmother's house?'
Ask anybody who has ever sent over a contract over to my team and they'll tell you that we get back to people with a response very quickly.
If we're having a glitzy over-the-top moment, fashion is very glitzy and over-the-top, you know, over-the-top. If we're having a moment where things are, you know, we're in a recession, fashion becomes quiet. So, in terms of popular culture, fashion and especially women's fashion is incredibly interesting, aside from satisfying just a particular need to create and arrange things in a way that one sees as beautiful. And so, in a certain way, it's fulfilling. In another way, it's very fleeting because it doesn't last very long. You know, a beautiful moment in fashion goes away very quickly.
When I first started doing press interviews, the big question was, 'Do you think women are funny?' People would ask you that in an interview. In an interview! It's like, of course they are.
When you ask for happiness and a beautiful life, ask not just for you, but for everyone. When you ask for something better, ask not just for you, but for everyone. By all means ask for abundance and health for you, but also ask for it to be given to everyone. Can you imagine what would happen if six billion people asked for these things for you?
Some of the things I did in my early career were massive learning curves because I had no one to guide me. You learn very quickly because it costs you torment and trouble.
One of the first things I did was interview the President of the United States. Some people work their whole lives and can't interview someone of that stature.
It's the messiness of life that ultimately leads you to the most interesting things. Everyone asks what you would do over, and I don't know because then you have this story to tell, and if you did everything over and made it perfect, what would you talk about?
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