A Quote by Sarah Dessen
It's all about you, Colie." She touched one finger to her temple, tap tap tap. "Believe in yourself up here and it will make you stronger than you could ever imagine." There is something infectious about confidence. And for that one moment, with my eyebrows burning and my eyes watering, I believed. "And good hair never hurt either.
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How big are souls anyway?" asked Coraline. The other mother sat down at the kitchen table and leaned against the back wall, saying nothing. She picked at her teeth with a long crimson-varnished fingernail, then she tapped the finger, gently, tap-tap-tap against the polished black surface of her black button eyes.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
I could have kisses like that for the rest of my life. Kisses that don't know who I am. Kisses that make me feel more and less than what I am. But my finger tap tap taps on my leg and reminds me that I am not who Adam thinks I am, and it makes me want to cry. It's not that I don't deserve his kiss. It's that the person I am can never really share a life, a soul, with the person he is.
I used to think I could save tap. But tap was here way before I was, and it's going to be here after I'm gone.
On Saturday afternoons, there was a film, of course, and then we did about four shows between the films. And I would do a tap dance, a little military tap.
Lovingly crafted and super-creative cupcakes are not exactly on tap in my household after a full day at work, and I do not blame my mother for a second that they were not on tap in hers, either.
I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
The Nicholas Brothers were the best tap-dancers. I'm not talking about their flash-dancing, I'm talking about tap-dancing. They were really saying something with their feet.
I was about eight when I started tap dancing - against my own will. My mom wanted me to do it. She thought I would love it, and I didn't believe her. I turned out to be obsessed with it.
Believe in yourself up here and it will make you stronger than you could ever imagine.
Certain, when I was born, so long ago, Death drew the tap of life and let it flow; And ever since the tap has done its task, And now there's little but an empty cask.
For me, drag is about two things - confidence and glamour. Drag is about using artiface and illusion to tap into the self-confidence we all have. And glamour is about taking what you have naturally and showcasing in a way that makes you feel good. It's truly a practice in faking it until you make it.
When you talk about "white privilege", you're talking about something systemic. When you're talking about "black privilege" it's something spiritual because we as black people tap into a divine system that a lot of other cultures and races can't tap into and that system allows us to prosper in spite of everything that's been thrown our way from slavery to segregation to mass incarceration. We have a privilege pre-ordained by God that nothing and no one can stop.
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