A Quote by Sarah Kay

You are not made of metaphors,
Not apologies, not excuses. — © Sarah Kay
You are not made of metaphors, Not apologies, not excuses.
One of the challenges of the movie is there are no apologies or excuses.
If you don't like to make excuses or apologies, stop making promises.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors.
Metaphors hide in plain sight, and their influence is largely unconscious. We should mind our metaphors, though, because metaphors make up our minds.
It is said that insincere apologies can be detected while heart-felt apologies melt away all grievances, anger and hatred. Felt with all my heart I'm sooo sorry Apologies Sorry Soz so so So Sorry
I made the apologies that needed to be made, and so I didn't feel that Media Matters was a continuing form of saying I was sorry.
Metaphors are not user-friendly. They're difficult to find and difficult to use well. Unfortunately, metaphors are a mainstay of good lyric writing-indeed of most creative writing. ...metaphors support lyrics like bones.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors. All are continually asking, "What does this represent? What does it stand for?" They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again.
The things that are said in literature are always the same. What is important is the way they are said. Looking for metaphors, for example: When I was a young man I was always hunting for new metaphors. Then I found out that really good metaphors are always the same.
Do you find yourself making excuses when you do not perform? Shed the excuses and face reality. Excuses are the loser's way out. They will mar your credibility and stunt your personal growth.
The trick is not how much pain you feel--but how much joy you feel. Any idiot can feel pain. Life is full of excuses to feel pain, excuses not to live, excuses, excuses, excuses.
I stand by the Lost finale. It's the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I'll always care what you think, I can't be a slave to it anymore. Here's why: I did it for me. I liked it. I was good at it. And I was really … I was alive.
If so and so would have given me the right opportunity, or if this person would have encouraged me - I could have made a million excuses on why I wasn't playing in the NFL. You have no more excuses... what do you do from now until your opportunity presents itself? It's all up to you.
Tomas did not realize at the time that metaphors are dangerous. Metaphors are not to be trifled with. A single metaphor can give birth to love.
My domineering lover made no apologies for his caveman tendencies.
Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or some other instinct.
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