A Quote by Sara Cox

I'd like to do radio forever, really. I prefer it to telly. It's more immediate and I'm in control of it all. — © Sara Cox
I'd like to do radio forever, really. I prefer it to telly. It's more immediate and I'm in control of it all.
You have more freedom on radio. When people used to tell me they preferred radio to TV, I always thought they were making the best of things because they couldn't get any telly work, but now I understand, sort of.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
I care more about telly because it made me an actor and there's a much more immediate response to TV. You can address the political or cultural fabric of your country.
Political leaders, lacking documents that could be kept secret (apart from the occasional exception), lacking media they could control, were of necessity brought into a direct and immediate relationship with their constituents, and therefore under more and direct and immediate control.
I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.
Oh, nobody would ever want to know me in Hollywood. I'm far too puffin-faced for that, too weird-looking. No, I think I'll probably stick to telly, if telly'll have me, though I wouldn't mind doing radio plays as well.
I never really think about myself really, but I hope I'm no different whether it be on the radio or telly or on a podcast. It's about being genuine, and approachable and accessible, not talking at people but with people.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
I've been offered radio but never done it, partly because the radio ideas that I've been asked to come up with, I've thought about them and then converted them to telly things.
I never did that badly with women when I wasn't on telly, but it's a bit out of control now. Women try it on with me more than I'm comfortable with. It's strange, because I think I look like a troll wearing a woman's wig backwards.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
I had the little Radio Shack crystal radio, and then my aunt Judy bought me a shortwave radio. It was amazing to me: like on these really clear nights - I lived in Ohio - I could get Texas or Florida. You felt like the world was a smaller place.
I'm not a singer, so I reproduce a little bit what I see on television and what I listen to on the radio. I don't have self-control, really, so I didn't want to sing like Mariah Carey.
Radio is immediate and experimental. It's really lo-fi - you can have an idea, go out and record something, come back in and just put it on air.
As much as I enjoy TV, I've always loved radio. And I love doing the NFL games, the Monday night games, on radio. Because you are the game. I really enjoyed calling basketball and hockey on the radio, but the presentation is more specific - you're talking all the time.
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