A Quote by Sarah Cooper

As soon as you explain a joke, it immediately becomes unfunny. — © Sarah Cooper
As soon as you explain a joke, it immediately becomes unfunny.
The worst thing ever that you have to explain your joke because I was very disappointed trying to explain why the joke is funny for the interrogator.
I suspect that Jesus spoke many of his parables as a kind of sad and holy joke and that that may be part of why he seemed reluctant to explain them because if you have to explain a joke, you might as well save your breath.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
We get the worrywart, the hypochondriac, the money-grubbing miser, the intractable negotiator... Some would say certain of these refer to the stereotypical, or 'stage' Jew. But objectively speaking, the only crime in humor is an unfunny joke.
I don't really tell a joke per se, I build up an attitude and it becomes a joke.
As soon as baseball becomes a job, as soon as I stop caring, as soon as the smile goes away, I'll hang up my spikes and do something else.
As soon as you know what you're doing, you're doing it wrong. That's what I find with acting. As soon as it becomes padded, it becomes pat.
I cannot tell a joke. But I can do a situation, that it becomes a joke.
If I think something's funny, I try to mold it into a joke as soon as possible. Once I have a joke, I say it a million different ways on stage until I find a rhythm and it feels like it's as good as it can be.
No matter where they are or who they're with, dogs are incapable of being anything but themselves. Show me a dog that puts on airs or laughs politely at an unfunny joke and I'll show you a human in a dog costume, possibly one owned and licensed by the Walt Disney Company.
If the first ‘Hangover’ movie were this awful, there never would have been a Part Two. This is a joyless, unfunny mix of comedy and drama, a complete waste of time, with exactly one good joke in the entire movie. It comes in the first minute. After that, you can leave.
If you fight sex, sex becomes the center. Then, continuously, you are engaged in it, occupied with it. It becomes like a wound. And wherever you look, that wound immediately projects, and whatsoever you see becomes sexual.
OK, so we all know that 'Borat' is humiliatingly, career-endingly unfunny (one trick too many for one-trick pony Sacha Double-Barelled) - but can anyone explain why the 'character' isn't roundly condemned for being as unacceptably racist as the one-dimensional stereotypes from 70s sitcoms such as 'Mind Your Language?'
When you're in the editing room, the dangerous thing is that it becomes like telling a joke again and again and again. Eventually, the joke starts to not be funny. So you have to be careful that you're not throwing the baby out with the bath water.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
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