A Quote by Sarah Cooper
I guess a younger me would like that I tried acting? Although I swore that I'd actually go to L.A. and try to make it in movies and I didn't do that. I did try, though. And I found that I didn't like it.
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I would like to change everything, but obviously not everything. I've been incredibly fortunate. I guess everybody would do this, but I'd go back to my younger self and say, "Lighten up. Take it easy. Relax. Don't be so anxious about everything. Try to be in the day. Try to not have today stolen from you by anxiety about yesterday or tomorrow."
I would've never tried acting. I was at this point in my life where I was like, 'I have this following; what am I gonna do?' I could've done reality TV, but I didn't see any longevity in that. And my manager was like, 'Have you ever acted before?' And I was like, 'No... but I'll try it.' And so I tried it, and I liked it.
I've tested for I-don't-know-how-many pilots, and I didn't get any of them. I would always try to go off the top and make it as spontaneous as possible, but acting in sitcoms is such a skill set, and I didn't have it. I wish I did back when I was younger.
I did try to get a few of those teen high-school movies, but they just didn't like me. I guess I wasn't a certain type.
I try to make all the action in my movies subjective: to give a sense of what it would feel like to actually be a part of it.
I told everyone I would never be an actor. People used to tell me, 'Hey, you got a good look. You should try.' And I was like, 'Nah. That's not me.' And then, the moment I tried it, I found I loved it more than anything in the world, and that taught me a lesson. That is, just go for it.
Honestly, I don't try to guess at what most people want. I don't think I'd guess right, and I just think that that's not a good recipe for storytelling. I try to write what I like, what I think my friends would like.
I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.
I don't think I've ever tried to be something that I'm not. People do that for you. People try to pigeonhole you. People tried typecasting me, before they even saw me in anything else. I've never understood that. I was like, "Why don't you wait until my next project, before you start telling my what my career is going to look like, for the next 10 years?" I've never let it set me back because I always knew the world would try to do that for me, anyway.
I've always been honest with all my kids. So I - if they did well, they did well. And if they didn't, actually, I asked, did you try your best? And if they tried their best, then, you know, I back out because I expect them to be honest with me or with themselves. And I can't make you go out there and work out hard.
I did improv classes just like any kid would do soccer or gymnastics or swimming. At one of my showcases, my manager came to my mom and said, 'We would like to represent your daughter.' My mom asked me that night if I would like to actually act, and I said, 'Why not? I'll give it a try!'
I actually don't wear fragrance. I always feel like I smell cheap. I guess I just haven't found one that's not overpowering or too sweet. Even when I try one of the super masculine scents, I just think, 'I don't want to smell like a man.' Besides, I like my own scent.
But one of the rules I don't like to break is we still do - 95% of our movies are low budget. We're offered bigger, larger budget movies to produce a lot, and we don't do them. That's not to say there aren't exceptions, there are a few exceptions, but I try and stick by the rules that produce what I think is the highest quality, most innovative work and try and let the rules go that make us feel like we're retreading.
I don't consciously try to make things difficult as much as I try to make them a little different. I like all kinds of laughs. I tried to make a show that elicit groans, guffaws, chuckles, boos.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
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