A Quote by Sarah Millican

As I ran out of grandparents at the age of 16, the only time I ever see old folk is when I'm over-taking them on a motorway, they're in my audience laughing at filth, or in any park.
Age to me means nothing. I can't get old; I'm working. I was old when I was twenty-one and out of work. As long as you're working, you stay young. When I'm in front of an audience, all that love and vitality sweeps over me and I forget my age.
If we're going to ask our kids at age 18 to go off to war and die for their country, I don't see any problem with asking them at age 16 to think about what that might mean.
At any given time, if you live long enough, old age catches you . . . the only choices we have in life are either the impairment of old age or early death.
I always thought the women of my age group got short shrift because the women's liberation movement came slightly after. You look at the yearbooks and you see the future homemakers of America - hurray for that - but you also see them in the engineers club. You see minority kids as student body presidents at a time when everyone was supposed to be terminally racist. Yearbooks are genres; they're also folk art, folk documentation.
I played to the biggest audience I've ever played to in my life in New Zealand. I couldn't see the end of the crowd. I understand it was over 200,000 people in a park somewhere.
I thought the race could be won in the last kilometers in the park. Every hill I ran in training I ran to gain an extra step in the park.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
I think the big thing is the fairy tale. It's taking old folk fairy tales and retelling them in modern day. I think it's just taking you out of everyday life, and everyone loves a good fairy tale.
I didn't know my grandparents. They were - my grandfather - my maternal grandfather died when I was five. I have very little memory of him. All my other grandparents were dead by the time I was of any age to remember anything.
You could look out the window today, see the sky raining fire, and say that it has all been for nothing, everything we've ever done, because now we've lost. But folk were born and lived and knew friendship and music in this city, ugly as it is, and all across this land that we fought for. Some grew old, and others were less lucky. Many bore children and raised them, and had the pleasure of making them, too, and we gave them that for as long as we could. Who has ever done more, my friend?
The videos have given us a younger audience. You know, our audience grew up with us until the videos, and they were beginning to get a little long in the tooth. Then the videos came along, and now we've recaptured the 16-year-old girls. The 16-year-old girls!
To me, when you got a 20-year-old running back or 21-year-old receiver that's just coming out of college and you're out working these guys, age really don't matter. So it's easy for me to see what it is. People say it's all about age, but to me, it's mind over matter.
I haven't really had any bad experiences coming out. No one's ever rejected me. There was me, running around in a sarong at the age of 16 - they probably knew.
From age 16 to age 20, a woman's body is a temple. From 21 to 45, it's an amusement park. From 45 on, it's a terrarium.
But I saw the little-Ant men as they ran Carrying the world's weight of the world's filth And the filth in the heart of Man-- Compressed till those lusts and greeds had a greater heat than that of the Sun.
Cornelius Cardew very famous in Britain, because he was the darling of the avant-garde, and he played in a band called AMM, which was an improvising band in the '60s. Paul McCartney used to come watch them. Later on in life, he became disenchanted with avant-garde music, because he felt it couldn't reach the public. It didn't have a wide enough appeal. So he'd take these tunes of old English folk songs and write Stalinist lyrics over the top of them. I do think that when he changed to folk songs, he actually lost the tiny audience he already had, which is quite interesting.
This site uses cookies to ensure you get the best experience. More info...
Got it!