A Quote by Sarah Paulson
There's a poignancy to being with someone older. I think there's a greater appreciation of time and what you have together and what's important, and it can make the little things seem very small. It puts a kind of sharp light mixed with a sort of diffused light on something.
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Thus out of small beginnings greater things have been produced by His hand that made all things of nothing, and gives being to all things that are; and, as one small candle may light a thousand, so the light here kindled hath shone unto many.
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don’t even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in you life it is nice to think that they are what is called negligible, which means they are so small you don’t have to take them into account when you are calculating something.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
A single and distinct luminous body causes stronger relief in the objects than a diffused light; as may be seen by comparing one side of a landscape illuminated by the sun, and one overshadowed by clouds, and illuminated only by the diffused light of the atmosphere.
I write little quotes all the time to help encourage people to come together, like this one: "If fate happens to toss you a lightbulb, use it to light the path of others, for they will use theirs to light the path of you. With your light together with mine, it's two times as bright and twice as strong.
I write little quotes all the time to help encourage people to come together, like this one: 'If fate happens to toss you a lightbulb, use it to light the path of others, for they will use theirs to light the path of you. With your light together with mine, it's two times as bright and twice as strong.'
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
We eat light, drink it in through our skins. With a little more exposure to light, you feel part of things physically. I like feeling the power of light and space physically because then you can order it materially. Seeing is a very sensuous act-there's a sweet deliciousness to feeling yourself see something.
In my first year or so at the 'Post,' I began to write with some frequency on the least important issues - so-called light editorials. The titles themselves are revealing of just how light: 'On Being a Horse,' 'Brains and Beauty,' 'Mixed Drinks,' 'Lou Gehrig,' and 'Spotted Fever.'
I think the difference between me and some people is that I'm content to do my little bit. Sometimes people think they have to do big things in order to make change. But if each one would light a candle we'd have a tremendous light.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
The greater is the circle of light, the greater is the boundary of the darkness by which it is confined. But, notwithstanding this, the more light get, the more thankful we ought to be, for by this means we have the greater range for satisfactory contemplation. time the bounds of light will be still farther extended; and from the infinity of the divine nature, and the divine works, we may promise ourselves an endless progress in our investigation them: a prospect truly sublime and glorious.
But there's not enough time in life to go sit at a party, have a drink, and make idle conversation. There's too many important things to do. Just being together with my husband, spending time alone, which I have very little of.
There is a struggle inside you between these two parts. It's as if at times your heart becomes a battlefield! The secret part, full of light, seems so small and weak in the face of the discouraging and morbid part, which seems enormous and overwhelming. However, if you light a small candle in a dark room, everything is lit up. It is a matter of trusting in this little light in the deepest part of your being which can gradually chase away the darkness.
You know, an idea is just an idea. There seems to... the kind of epiphanies that you have, like the little sudden bursts of light, they're very small and they're very short and it's the pursuit of the idea that's the important thing. . . . I know a lot of people who have way better ideas than I do that-much more frequently than I do that just can't sit down and actually do it. Ideas are such are a little overrated really; it's the work behind the idea that's the important thing.
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