A Quote by Sarah Hall
Set in a nameless colonial country, in an unspecified era, Katie Kitamura's second novel tracks the fortunes of a landowning family during the first waves of civil unrest.
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A love revolution is forming far out to sea like a series of waves that build on one another until the whole earth is consumed. The first set of waves releases a quickening anointing. The second set of waves, a love revolution. The third set of waves will sweep across the world and release a worldwide revival. I believe that we can position ourselves to catch this incoming set of waves that will release to you a "quickening spirit" or "quickening anointing." It is being released - now. Catch the wave!
No country in the post-colonial era has thrived without first building its capacity to conduct scientific research.
Civil unrest, civil turmoil is not a challenge to President Trump. It's a resource for him. He needs to create an image of a polarized country in which the people who are against him are somehow alien or anti-system.
I am, incidentally, the only writer to have received the Somerset Maugham award twice - the first time for my first novel, the second time for my second first novel.
When Edna O'Brien's first novel, 'The Country Girls,' was published in 1960, her family and neighbors in the small Irish village where she was born tossed copies into a bonfire expressly set for that horrifying purpose.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
Colonial governors and senior civil servants are not easy people to argue with, and I was not popular because of my criticism of the colonial service in Kenya.
This country has a proud history of opening its doors to generations of people fleeing personal persecution, civil unrest and war.
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
I was a huge fan of J. Courtney Sullivan's novel 'Maine,' and like that novel, 'Saint' is a family saga set in Boston. Irish Catholic family secrets - is there anything better?
Research shows that the wealthier, more educated, and healthier a nation, the less violence and civil unrest among its populace, and the less likely that unrest will spread across its borders.
It's more like I write multiple first drafts, handwritten. So with my first novel, I wrote whole drafts from different points of view. There are different versions of that novel in a drawer on loose-leaf sheets. I won't even look at the first draft while I'm writing the second, and I won't look at the second before writing the third.
I grew up in the early '60s, and there was a lot of civil rights, a lot of unrest in our country.
Those who came before us made certain that this country rode the first waves of the industrial revolution, the first waves of modern invention and the first wave of nuclear power. And this generation does not intend to founder in the backwash of the coming age of space. We mean to be part of it-we mean to lead it.
Aomori Water is a sound collage piece made in 1998, in Aomori Japan. I was in a residency with other artists. A Japanese sculptor was making a round house and wanted a sound piece to play in it. I recorded some very gentle waves lapping the beach, for the first part. And a very small mountain stream, flowing, for the second part. I layered 8 tracks. This was the first work that I did in ProTools.
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