A Quote by Sarah Shahi
My views on equality are pretty obvious. I mean, I did play a highly complex lesbian techno DJ on TV, but I know it's not always easy to come out and tell the world where you stand.
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So my views on equality are pretty obvious. I mean I did play a highly complex lesbian techno DJ on TV, but I know it's not always easy to come out and tell the world where you stand.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
Yeah. When I was 14, my Dad had a radio show with really cool people from Ghent, our hometown, in it. The people who started the R&S techno label, they did a show, and a very well known Techno DJ called Frank de Wulf who was from around there, he did a show, and everybody could do what they wanted. They all started up there.
At the end of the day, if I do a set at a festival and I only have an hour, which is kind of short for a DJ set, I know that I have to play at least six of my songs. Then the whole challenge is what do I weave around that. How do I stand out? Because at a festival there's probably fifteen songs every DJ's going to play every hour, for the whole day. That to me is more interesting, because I still feel like an outsider in this world.
You can never underestimate the prince, I'm always there. The prince will never die. I ain't bragging, but I ain't seen nobody, and I mean nobody, come to the ring in such style, with such flair, charisma, I'm talking about bringing it all, a full package. I mean who would you know that could come out in a flying carpet. Come out like a concert, dancing, with like, oozing confidence, and then get in and take somebody out. Come on, do you know anybody in the history of the sport, that did what Prince Naseem did. And I ain't trying to brag, but I was bloody good at it.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
When I heard We Are the World do a techno version of one of my songs, I didn't know the word techno, but I said, "That percussion is astounding, will you help me do a piece?" Nobody said, "Techno isn't allowed for you."
I see nothing easy in Washington. I see either analytically simple things that are politically complex or those that are politically complex and analytically complex. I mean, look at immigration reform, you know? It is, I think, analytically easy, but politically very, very complex and very difficult.
I did 'Mad Men' and I still have people come up to me like, 'Are you actually a lesbian?' Really? Just because I play one on TV? People will think what they're gonna think.
I stand for the square deal. I mean not merely that I stand for fair play under the present rules of the game, but that I stand for having those rules changed so as to work for a more substantial equality of opportunity and of reward for equally good service.
I do really long DJ sets - I play for five or six hours sometimes - but the live shows are a bit more compact. The arch of how to tell a story, where the energy is, where you have peaks and drops, where things go up and things come down, that's all being informed by DJ-ing.
I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.
It means a lot to you, to be out there. The highs are pretty high, and the lows are pretty low. You know, it's easy to feel like you let the team down. I mean, at the end of the day we still got to figure out a way to get through the tie.
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
When you're growing up you also like to go out and party a lot, and the music that we would hear going out would be techno and electronica. And earlier stuff like the Prodigy. It kind of stood out from everything else. Y'know, 'Firestarter,' where did that come out of? It sounded alien and otherworldly.
In 'A Few Best Men,' I play a lesbian character. I played the lesbian sister of the bride who ends up kissing a dude at the end, but she was, like, a full-on lesbian in that. And I beat out famous Australian lesbians for the role.
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