A Quote by Sara Sheridan

A word out of place or an interesting choice of vocabulary can spawn a whole character. — © Sara Sheridan
A word out of place or an interesting choice of vocabulary can spawn a whole character.
I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.
I believe that should is one of the most damaging words in our language. Every time we use it, we are, in effect, saying that we are wrong, or we were wrong, or we're going to be wrong. I would like to take the word should out of our vocabulary forever and replace it with the word could. This word gives us a choice, and we're never wrong.
I don't like the word 'strong,' because a strong character is never an interesting character. A character is made interesting by their vulnerabilities and their weaknesses.
Bluefin tuna spawn just south of the oil spill and they spawn only in the Gulf. If they were to go through the area at a critical time, that's one instance where a plume could destroy a whole species.
Choice. It's the word that allows yes and the word that makes no possible. It's the word that puts the free in freedom and takes obligation out of the mix. It's the word upon which adventure, exhilaration, and authenticity depend. It's the word that the cocoon whispers to the caterpillar.
The whole acting thing is a buffet. One, in terms of role choice and movie choice, I like to do lots of different things, and I think that's the whole fun of it. But I also see it as a buffet in terms of the character.
I think in English history a very interesting character is John Lilburne. Very interesting character because of the way he managed to develop the whole debate about the English civil war into something very different.
While you're testing out armatures of puppets, you're also trying to find the proper visual vocabulary for the character and to come up with a guidebook of sorts for how a character will move and act.
Ahimsa is a science. The word 'failure' has no place in the vocabulary of science.
So many people are willing to sleepwalk through things and fall into the not human, not interesting choice. To make the really interesting choice, you have to fight.
If you're not ready to die for it, put the word 'freedom' out of your vocabulary.
I'm more into the Spawn toys. They're really cool. They're coming out with a Techno Spawn series and another series, The Dark Ages, which are really cool.
I'm a great believer in compromise. I know it's not popular among young idealists. Compromise is not popular. It's not at all popular among young people who these days call themselves "activists." They think compromises are dishonest, opportunistic, humiliating. Not in my vocabulary. In my vocabulary, the word "compromise" is synonymous to the word "life".
Your whole vocabulary's played out, admit it. Still wack if it came out my mouth and I spit it.
I like vocabulary and I actually read a book called 'Word Freak,' which is about a guy who basically went into competitive Scrabble for a year. But having a big vocabulary and being good at Scrabble are not the same thing.
For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
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