A Quote by Sara Sheridan
A book is a story, even if it's non-fiction, and once I've read it, I have the story with me inside my head always.
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I read a lot, I always read. I like to be inside a story. When I started acting, even in high school, it sort of felt like that's as close as you can get to being inside a book, and I feel that way even with movies more so, because you've kind of created this imaginary world, and everybody is colluding to create it.
Wanting to know absolutely what a story is about, and to be able to say it in a few sentences, is dangerous: it can lead us to wanting to possess a story as we possess a cup... A story can always break into pieces while it sits inside a book on a shelf; and, decades after we have read it even twenty times, it can open us up, by cut or caress, to a new truth.
It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.
If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.
When I read any book, if it's really good I get lost in the writing whether it's fiction or non-fiction. I'm in the story not thinking about who wrote it.
Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in.
If it's a story I'm telling, then I have control over the ending... But if it's a story, even in my head, I must be telling it to someone. You don't tell a story only to yourself. There's always someone else. Even when there is no one.
I've read pretty broadly on the Holocaust - both fiction and non-fiction - and to me, 'The Lost Wife' is one of the best. The horrors of war serve as a backdrop to a love affair that spans a lifetime, and that love story stayed with me long after I put down the book.
I dont like any of them, because they don't read the books. In Kiss Me Deadly my story is better than his story. Anthony Quinn played in The Lond Wait and he didn't read the book either.
When I write a book I write the best that I can and so much of that for me is following the book's demands, the subject's requirements - I love books, I always have. They have always been one of the places where I have felt very happy in the world. When I was younger, I loved to read genre fiction - I loved the magic-carpet ride of story! Now I need other things - I need the beautiful particular and strange language and form which brings a writer's book to life in me and speaks to my intellect, and, dare I say it, to my soul.
The only book I ever read cover to cover was The Pete Rose Story. I read half of The Lou Gehrig Story and then made a book report on it for four straight years.
I never really wanted to be a writer. I know it sounds strange, but I honestly believe that I didn't pick the story; the story has picked me. I've written absolutely no fiction before 'The Immortals of Meluha.' Not even a short story in school - absolutely nothing.
A story is a way to say something that can't be said any other way, and it takes every word in the story to say what the meaning is. You tell a story because a statement would be inadequate. When anybody asks what a story is about, the only proper thing is to tell them to read the story. The meaning of fiction is not abstract meaning but experienced meaning.
It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
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