A Quote by Sarah Addison Allen

Blank-slate friendships were thin and temperamental. She knew that. There was no history there to cement people together, for better or worse. — © Sarah Addison Allen
Blank-slate friendships were thin and temperamental. She knew that. There was no history there to cement people together, for better or worse.
Yet, when we talked, when we were together, she seemed so familiar. Seemed to know who I was, where I was coming from. She knew me better than I knew myself, I think. She was easy to be with. And I wanted to be with her, like all the time.
I got to college and saw all of my friends going to these other schools and thought, 'You know, college is just a blank slate.' And I had an opportunity to go to different schools, but I chose Brown because it was unique and allowed you to be yourself as an individual and like I said, it's a blank slate.
Michelle Obama is Superwoman. What can't she do? That's why people love her. She can be on the Supreme Court and anywhere else she wants. She can be the president. She's history and she'll stay history because she is so amazingly smart and together.
The writing process is the time where nothing's been set in stone. It's a blank slate, or a blank page.
Mrs Forrester ... sat in state, pretending not to know what cakes were sent up, though she knew, and we knew, and she knew that we knew, and we knew that she knew that we knew, she had been busy all the morning making tea-bread and sponge-cakes.
I like... piecing things together because it gives you a product that you would never have come up with just sitting down and writing on a blank slate.
What I love about Gaga is her story, where she came from. Before she made it, before anyone knew who she was, I knew who she was and, to see her finally make it, I was so happy. If we were to work together that would be cool.
It was true; always had been. Friendships were like marriages in that way. Routines and patterns were poured early and hardened like cement.
From the newsstands a dozen models smiled up at her from a dozen magazine covers, smiled in thin-faced, high-cheekboned agreement to Kessa's new discovery. They knew the secret too. They knew thin was good, thin was strong; thin was safe.
When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
And then she thought that you went on living one day after another, and in time you were somebody else, your previous self only like a close relative, a sister or brother, with whom you shared a past. But a different person, a separate life. Certainly neither she nor Inman were the people they had been the last time they were together. And she believed maybe she liked them both better now.
We were married for better or worse. I couldn't have done better, and she couldn't have done worse.
A baby is such a blank slate, like training the understudy for a role you're planning to leave. You truly hope your replacement will do the play justice, but in secret you want future critics to say you played the character better.
Naturally, you don't sit down in "white hot inspiration" and write with a burning flame in front of you. But since I knew I could never be happy being anything but a writer, and Mockingbird put itself together for me so accommodatingly, I kept at it because I knew it had to be my first novel, for better or for worse.
The desirable virgin is sexy but not sexual. She's young, white, and skinny. She's a cheerleader, a babysitter; she's accessible and eager to please (remember those ethics of passivity!). She's never a woman of color. SHe's never a low-income girl or a fat girl. She's never disabled. "Virgin" is a designation for those who meet a certain standard of what women, especially young women, are supposed to look like. As for how these young women are supposed to act? A blank slate is best.
Patti [ Scialfa] was an artist and a musician and she was a songwriter. And she was a lot like me in that she was transient also. She worked busking on the streets in New York. She waitressed. She had - she just lived a life - she lived a musician's life. She lived an artist's life. So we were both people who were very uncomfortable in a domestic setting, getting together and trying to build one and seeing if our particularly strange jigsaw puzzle pieces were going to fit together in a way that was going to create something different for the two of us. And it did.
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