A Quote by Sasha Velour

I want to see some queer politicians, some drag queens and drag kings running for office and shifting the way that policy is made as well. — © Sasha Velour
I want to see some queer politicians, some drag queens and drag kings running for office and shifting the way that policy is made as well.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
It's not just putting on a little bit of makeup and putting on a dress. Some drag queens duct tape their heads, some drag queens are bound and strapped and pulled in every which direction. To be in drag is no small endeavor.
Drag really isn't just about exaggerating and celebrating femininity. Some drag queens want to look like monsters, some drag queens want to look like hot dogs. Really what it is is just dipping your toes in all the swimming pools of identity and allowing yourself. Because society really tries to compartmentalize humans in a certain way.
You can have a beard and do drag; you can be a woman and do drag. I've met faux queens. I've met kings. Anything that you want can be considered drag in the context.
Some drag queens want to get into drag and be sexy and date boys... that ain't me.
I think that's what happens when drag starts to go mainstream: All of a sudden, you're watching 'The View' and there are three drag queens on there and it's not a joke. Yes, we're here, we're queer and you better deal with it. 'Cause we ain't going nowhere.
Drag is pastiche and parody and satire. Drag queens are never meant to be stars. We make fun of stars. Drag queens are the people that 'point' at the star.
I think any time we do drag, especially in 2018, it's a political statement. Because we're living in a world where people don't see drag queens as equal. They don't see queer people as equal. They don't see people of any minority as equal.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
My favorite drag queens are Tammie Brown and Katya, so I like my drag queens a little left of sanity.
There's an old guard of drag, like the queens who got as big as they could possibly get before there was a TV show dedicated to drag queens.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I always say that drag queens are like an exaggeration of women, and I'm like an exaggeration of drag queens. People ask, 'Why do you do your makeup so differently?' and I always say, 'Well, in a subversive art form, ask yourself why so many drag queens do their makeup exactly the same.' If you can do anything, why does everybody do the same thing?
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
There are so many drag queens on 'Drag Race.' In order to have a fulfilling career, you have to do well on the show. You have to make yourself stand out.
Drag Race' was, like, my outlet and finally being able to see myself in television and that was through Manila Luzon, who was a 'Drag Race' contestant. Manila was the first Asian queer person that I ever saw on mainstream media and 'Drag Race' really did that for me.
This site uses cookies to ensure you get the best experience. More info...
Got it!