A Quote by Sacha Gervasi

I really relate to outsider characters. Especially the eccentric, lunatic weirdos like Alfred Hitchcock, Viktor Navorski in The Terminal, or the Anvil guys. Everything I've done is about these quite eccentric, exotic outsiders who you might see in a certain light at first, but once you scratch the surface a little, you realize that they're not that different from you. I think there's an element of that which unites.
Whether it's a guy living in an airport like Viktor Navorski in The Terminal, or Anvil in Toronto, or Alfred Hitchcock who's imprisoned by his success; there is a common thread to all these characters. I don't know why I'm particularly drawn to it. It's been pointed out to me, and I don't understand it myself.
I found it very easy to transform into creeps and weirdos and losers and goof-balls, and I'm happy to play eccentric kinds of characters, and I have a great affinity for the outsider, but I definitely am about expanding my range as well.
Part of me is nonhuman and eccentric, which is what a hobbit is, and I don't mind being eccentric.
Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric.
I'll be seen as eccentric, like Vic Reeves or Spike Milligan, which would be amazing. But I suppose I'm in this weird transitional period between having some success doing weird stuff and not being eccentric yet. I'm in limbo.
There's nothing like a deadline to get the old blood flowing. All the juices, really. It doesn't follow, if you think about it. You'd assume certain things ... certain activities ... would become unimportant. Certain betrayals would become unbearable. But they don't really. In fact, quite the opposite. Everything takes on a new light. The impossible becomes possible, desirable even. It's quite remarkable.
I think a bit of mystery is good, and I used to feel like an eccentric person pretending to be normal. But I am actually just a normal person seeming eccentric, by what I'm putting myself through.
Rich people are so eccentric, and I don't think people really realize. Especially by the turn of the century, they were living like rappers.
I worked with the best directors - Martin Scorsese, John Huston, David Lynch, Alfred Hitchcock. Alfred Hitchcock was great.
They know you're not Alfred Hitchcock, but you need to be enough Alfred Hitchcock for them not to be bothered by it. That's a reassuring thing.
When you take on Hitchcock you know it's gonna provoke some sort of controversy, because there were so many people talking about the book [Stephen Rebello's Alfred Hitchcock and the Making of Psycho] and wanting it to be the film about the making of this movie [Psycho]. But that's been done. That's been done in the book, and Stephen Rebello himself was like, "I want a movie which is an entertainment for the audience." So we made the conscious decision.
My music has a high irritation factor. I`ve always tried to say something. Eccentric lyrics about eccentric people. Often it was is joke. But I would plead guilty on the grounds that I prefer eccetricity to the bland.
My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
Now I'm old... maybe I'm still an eccentric hippie. There's a wonderful freedom in the eccentricity - you can go places, you can be wacky, and you don't have to be constrained. I think that's why people are eccentric - eccentricity is a weapon... and it's great!
I'd rather go with something eccentric--but beautifully eccentric.
Eccentric doesn't bother me. 'Eccentric' being a poetic interpretation of a mathematical term meaning something that doesn't follow the lines - that's okay.
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