A Quote by Saint Jhn

The 4-year-old me was getting laughed in school at for being too dark. — © Saint Jhn
The 4-year-old me was getting laughed in school at for being too dark.
School was tough. My 'friend' group consisted of two girls I had known since Year 7. We initially got on well but as the years went on, they'd tell me I was too loud, too in-your-face, that I laughed too much.
The truth is, part of me is every age. I’m a three-year-old, I’m a five-year-old, I’m a thirty-seven-year-old, I’m a fifty-year-old. I’ve been through all of them, and I know what it’s like. I delight in being a child when it’s appropriate to be a child. I delight in being a wise old man when it’s appropriate to be a wise old man. Think of all I can be! I am every age, up to my own.
I was too old, too young, too fat, too thin, too tall, too short, too blond, too dark - but at some point, they're going to need the other. So I'd get really good at being the other.
Most people remember being 4 objectively, as if they're seeing a movie of a 4-year-old. But me, if you ask me to think about when I'm 4, I can feel myself being 4, and I am there, looking out through my 4-year-old eyes.
I have a six-year-old son and a four-year-old daughter, so I write when they are at school and pre-school, or when I have a babysitter.
I feel like my early experiences of acting, and I think a lot of other actors' too, are probably at camp or school plays where you get to have great range. At camp, I remember getting to play a 50-year-old man.
The 18-year-old me wouldn't understand the 43-year-old me because then I wanted to travel and see the world. But I love being home.
I was never one to go up to someone as a five- or six-year-old and say, 'Hello, my name's Paul, will you be my friend?' But I found if I did an impression of the PE teacher or whatever and people laughed, then they did like me, and so then they started talking to me, rather than me making the initial overture and then maybe being rebuffed.
When he laughed in his throat, the butterfly laughed at me too. It's obscene fluttering corrupted me into darkness.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
You know what makes me feel old? When I see girls who are 20-something, or the new crop of actresses, and I think, Aren't we kind of the same age? You lose perspective. Or being offered the part of a woman with a 17-year-old child. It's like, "I'm not old enough to have a 17-year-old!" And then you realize, well, yeah, you are.
I didn't mind getting old when I was young. It's the being old now that's getting to me.
When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.
But the fact that some geniuses were laughed at does not imply that all who are laughed at are geniuses. They laughed at Columbus, they laughed at Fulton, they laughed at the Wright Brothers. But they also laughed at Bozo the Clown.
I liked seventeen-year-old me, I was happy when I was seventeen. I was this troubled goth kid that wore eyeliner and make-up to school and listened to punk-rock music and I loved my friends and I started to make music - I like seventeen-year-old me.
I think my shows can draw an audience of 12 million because I ask, 'What can make a 7-year-old, a 17-year-old, a 30-year-old and a 77-year-old laugh?'
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